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July 16, 2019, 6:13 am
This is an extended version of the presentation I gave at Sea Connect Creative Conference in Malaysia and Singapore in which I breakdown a title animation created for the session. I use included effects plus some third party scripts including Physics Now, Squash & Stretch Pro, Speed Lines and stock including Grit Kit and ink footage.
November 24, 2020, 5:39 pm
Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN.
November 24, 2020, 2:08 pm
Michael Janda is an executive level creative leader with more than 20 years of experience in both in-house creative departments and agencies working with some of the greatest brands in the world.
November 24, 2020, 2:06 pm
Let’s have a look at the seamless work of Milk Visual Effects for the Netflix movie, REBECCA...
November 24, 2020, 2:06 pm
Back in August I got to speak to Framestore visual effects supervisor Grant Walker about his studio’s Shoggoth VFX for Lovecraft Country.
November 24, 2020, 2:05 pm
Toy Story is now 25 years old. On Pixar’s website they have a couple of video featurettes about the animation process from circa 1995, including one with Pete Docter exploring the studio’s Marionette animation tool. Plus another about modeling. Check them out below.
November 24, 2020, 2:05 pm
Quick Export for Premiere Pro allows editors to work more efficiently by providing direct access to popular and frequently used export settings, right from the header bar in Premiere Pro.
November 23, 2020, 5:44 pm
Convert any hard-edged binary mask into a sophisticated, variable soft-edged mask for hair and other tricky details.
November 23, 2020, 5:44 pm
Come have a look at the environment and VFX work made by the teams of Goodbye Kansas Studios on this first season of the Netflix series, CURSED...
November 23, 2020, 2:10 pm
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic).
November 23, 2020, 2:09 pm
In this extended free Pro Tools video tutorial, Paul Maunder goes through his process for compression and EQ dialogue in post production using Pro Tools. The methods he shows in this tutorial are his own approach to this, so take what you find useful from it and adapt it to fit into your own workflow.
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
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