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  • Creating and mixing authentic sounds for HBO’s D

    Creating and mixing authentic sounds for HBO’s D

    July 17, 2019, 1:05 pm
    By Jennifer Walden
    HBO’s award-winning series Deadwood might have aired its final episode 13 years ago, but it’s recently found new life as a movie. Set in 1889 — a decade after the series finale — Deadwood: The Movie picks up the threads of many of the main characters’ stories and weaves them together as the town of Deadwood celebrates the statehood of South Dakota. Continue reading →
    July 17, 2019
    The post Creating and mixing authentic sounds for HBO’s Deadwood movie appea...

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  • Other Postings By Member

    • Creating With Cloud: A VFX producer’s perspectiv
      VFX

      Creating With Cloud: A VFX producer’s perspectiv

      November 22, 2019, 1:59 pm
      By Chris Del Conte The ‘90s was an explosive era for visual effects, with films like Jurassic Park, Independence Day, Titanic and The Matrix shattering box office records and inspiring a generation of artists and filmmakers, myself included. I got my start in VFX working on seaQuest DSV, Continue reading → November 21, 2019 The post Creating With Cloud: A VFX producer’s perspective appeared first on postPerspective.

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    • Editing Terminator: Dark Fate
      EDITING

      Editing Terminator: Dark Fate

      November 20, 2019, 1:49 pm
      By Oliver Peters “I’ll be back,” has turned out to be more than simply an iconic movie line. Sarah Connor (Linda Hamilton) and the T-800 (Arnold Schwarzenegger) are indeed back to save humanity from a dystopian future in this latest installment of the Terminator franchise. James Cameron is back on board, Continue reading → November 19, 2019 The post Editing Terminator: Dark Fate appeared first on postPerspective.

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    • Review: Nugen Audio’s VisLM2 loudness meter plug
      SOUND

      Review: Nugen Audio’s VisLM2 loudness meter plug

      November 19, 2019, 1:49 pm
      By Ron DiCesare In 2010, President Obama signed the CALM Act (Commercial Advertisement Loudness Mitigation) regulating the audio levels of TV commercials. At that time, I had many “laypeople” complain to me how commercials were often so much louder than the TV programs. Over the last 10 years, I have seen the rise of audio meter plugins to meet the requirements of the CALM Act, Continue reading → November 18, 2019 The post Review: Nugen Audio’s VisLM2 loudness meter plugin appeare...

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    • Final Cut ups Zoe Schack to editor
      EDITING

      Final Cut ups Zoe Schack to editor

      November 16, 2019, 2:14 pm
      Final Cut Edit in LA has promoted Zoe Schack to editor, after working at the studio as an assistant editor for three years. While at Final Cut, Schack was mentored by Final Cut editors Crispin Struthers, Joe Guest, Jeff Buchanan and Rick Russell. Schack has edited branded content and commercials for Audi, Continue reading → November 15, 2019 The post Final Cut ups Zoe Schack to editor appeared first on postPerspective.

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    • Report: Apple intros 16-inch MacBook Pro, previews
      EDITING

      Report: Apple intros 16-inch MacBook Pro, previews

      November 15, 2019, 2:10 pm
      By Pat Birk At a New York City press event, Apple announced that it will being shipping a new 16-inch MacBook Pro this week. This new offering will feature an updated 16-inch Retina display with a pixel density of 226ppi; 9th-generation Intel processors featuring up to 8 cores and up to 64GB of DDR4 memory; Continue reading → November 14, 2019 The post Report: Apple intros 16-inch MacBook Pro, previews new Mac Pro, display appeared first on postPerspective.

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    • Review: iZotope’s Ozone 9 is not just for master
      SOUND

      Review: iZotope’s Ozone 9 is not just for master

      November 12, 2019, 2:51 pm
      By Pat Birk Izotope is back with its latest release, Ozone 9. And with it, they hope to provide a comprehensive package of tools to streamline the audio engineer’s workflow. The company has been on my radar for a number of years now, having used the RX suite extensively for clean up and restoration of production audio. Continue reading → November 11, 2019 The post Review: iZotope’s Ozone 9 is not just for mastering appeared first on postPerspective.

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    • SMPTE 2019: AVID's Michael Krulik
      EDITING

      SMPTE 2019: AVID's Michael Krulik

      November 9, 2019, 1:58 pm
      #SMPTE2019, #Avid, #MediaComposer, #Nexis, #postPerspective Michael Krulik from Avid discusses Media Composer 2019 and its newest features, as well as Nexis storage that works closely with Media Composer 2019, and new cloud solutions offerings. He also talked about the new S1 and S4 control surfaces.

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    • Harbor crafts color and sound for The Lighthouse
      COLOR

      Harbor crafts color and sound for The Lighthouse

      November 7, 2019, 1:58 pm
      By Jennifer Walden Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading → November 5, 2019 The post Harbor crafts color and sound for The Lighthouse appeared...

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    • James Norris joins Nomad in London as editor, part
      EDITING

      James Norris joins Nomad in London as editor, part

      November 7, 2019, 1:58 pm
      Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor. Over the past 15 years, Continue reading → November 5, 2019 The post James Norris joins Nomad in London as editor, partner appeared first on postPerspective.

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    • SMPTE 2019: Film editor Roger Barton
      EDITING

      SMPTE 2019: Film editor Roger Barton

      November 5, 2019, 2:09 pm
      #SMPTE2019 #RogerBarton #filmeditor #Evercast Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/

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