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August 28, 2019, 1:23 pm
HBO’s Divorce, which stars Sarah Jessica Parker and Thomas Haden Church, focuses on a long-married couple who just can’t do it anymore. It follows them from divorce through their efforts to move on with their lives, and what that looks like. The show deftly tackles a very difficult subject with a heavy dose of humor mixed in with the pain and angst. Continue reading →
August 28, 2019
The post The sounds of HBO’s Divorce: Keeping it real appeared first on postPerspective.
November 26, 2020, 1:40 pm
Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects.
Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading →
November 25, 2020
The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...
November 25, 2020, 1:28 pm
MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly.
The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading →
November 24, 2020
The post Colorist Ricky Gausis Helps Set Look for Sho...
November 24, 2020, 2:05 pm
Lvly, a content and creative studio, has added Emily Spiegelman-Noel to its editorial roster. Spiegelman-Noel, who left Modern Post in 2019, had been freelancing prior to this new post.
Recent work includes Banana Republic’s return to television advertising after a 15-year absence, with their “Love the Present” Holiday ’20 campaign, as well as Tom Petty’s Leave Virginia Alone music video, Continue reading →
November 23, 2020
The post Editor Emily Spiegelman-Noel Join Lvly ...
November 19, 2020, 1:42 pm
Autodesk is working on updates to its Shotgun creative-project management software that are meant to drive creativity and production efficiency. Shotgun will get machine learning-driven generative scheduling that will enable more accurate bidding, scheduling and resource-planning decisions. Open standards-based, story-in-context integrated editorial/VFX workflows will make it so that updated effects shots can be reviewed in the context of a scene’s latest edit. Continue reading →
Novemb...
November 19, 2020, 1:42 pm
MTI Film has opened a high-speed, high-capacity data center in Hollywood dedicated to supporting television editing teams working remotely. The new site provides editors with dedicated connections to remote workstations and a shared storage environment, allowing them to edit and conduct other routine editorial operations as if they were in the same room. Continue reading →
November 18, 2020
The post MTI Film Data Center Supports Remote Editing Workflows appeared first on postPerspective.
November 18, 2020, 1:35 pm
By Tom Coughlin
It’s fair to say that COVID has had a big effect on media and entertainment, which has definitely taken a hit since the shutdown in March. For several months, most feature film and TV series production went on hold, while news and talk shows continued, with many people working from home. Continue reading →
November 16, 2020
The post M&E Storage Workflows March Toward the Cloud appeared first on postPerspective.
November 18, 2020, 1:34 pm
By Karen Moltenbrey
For studios delivering visual effects, storage is an important and necessary step in the overall process. Artists need unfettered access to files, and any kink in the chain can lead to unnecessary headaches in terms of delays, or worse.
Now, remote workflow due to COVID-19 restrictions has added yet one more concern for those maintaining their studio’s storage systems as they ensure problem-free access to files. Continue reading →
November 17, 2020
The post VFX St...
November 18, 2020, 1:34 pm
By Randi Altman
Bigger files, more files, remote workflows and a transition to the cloud all play a huge role in how post companies are currently using storage.
The COVID pandemic has pushed post houses to find ways to work from home while still having access to robust workflows, and those who make storage have been paying attention. Continue reading →
November 17, 2020
The post Storage Roundtable appeared first on postPerspective.
November 14, 2020, 2:26 pm
Editorial technology rental and service provider Pacific Post has launched a remote collaboration platform called PacPost.live. Originally built as an internal solution to address the immediate demands for remote work due to pandemic lockdowns in March, Pacific Post has added features to make PacPost.live a live-streaming solution that is now available to the broader industry. Continue reading →
November 13, 2020
The post Remote Editorial Collaboration Platform via Pacific Post appeared ...
November 14, 2020, 2:26 pm
Editing house Final Cut has added editor Antonio Gómez-Pan to its roster. He will be based out of Final Cut’s Los Angeles office.
Antonio Gómez-Pan was born in Madrid and graduated with a BA degree in film editing from film school ESCAC in Spain. Gómez-Pan has edited advertising projects that have won golds at Cannes Lions and at the Berlin Film Festival. Continue reading →
November 11, 2020
The post Final Cut Adds Editor Antonio Gomez-Pan appeared first on postPerspective.
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
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