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August 28, 2019, 1:23 pm
HBO’s Divorce, which stars Sarah Jessica Parker and Thomas Haden Church, focuses on a long-married couple who just can’t do it anymore. It follows them from divorce through their efforts to move on with their lives, and what that looks like. The show deftly tackles a very difficult subject with a heavy dose of humor mixed in with the pain and angst. Continue reading →
August 28, 2019
The post The sounds of HBO’s Divorce: Keeping it real appeared first on postPerspective.
November 9, 2019, 1:58 pm
#SMPTE2019, #Avid, #MediaComposer, #Nexis, #postPerspective
Michael Krulik from Avid discusses Media Composer 2019 and its newest features, as well as Nexis storage that works closely with Media Composer 2019, and new cloud solutions offerings. He also talked about the new S1 and S4 control surfaces.
November 7, 2019, 1:58 pm
By Jennifer Walden
Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading →
November 5, 2019
The post Harbor crafts color and sound for The Lighthouse appeared...
November 7, 2019, 1:58 pm
Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor.
Over the past 15 years, Continue reading →
November 5, 2019
The post James Norris joins Nomad in London as editor, partner appeared first on postPerspective.
November 5, 2019, 2:09 pm
#SMPTE2019 #RogerBarton #filmeditor #Evercast
Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor.
Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/
November 4, 2019, 2:13 pm
#SMPTE2019 #Endcrawl #endtitles #postPerspective
Pliny is the co-founder of Endcrawl.com, a cloud tool for building and rendering end credits with unlimited do-overs. It is used by post supervisors, producers and post pros. Pliny has spent 15 years working in post, including a six-year stint at HBO.
Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019
November 3, 2019, 8:56 pm
Dalet’s AmberFin software-based transcoding asset management system now includes Dolby Vision HDR technology targeting media professionals, studios and streaming service providers. The newly updated Dalet AmberFin engine enables mastering and distribution workflows for production, post and streaming
In addition to Dolby Vision and a bunch of other new software-only features, Dalet AmberFin can also be enhanced with hardware acceleration tools such as the M820L HEVC encoder plugin card fro...
October 31, 2019, 12:49 pm
Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation.
Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading →
October 30, 2019
The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...
October 30, 2019, 1:15 pm
New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX.
Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading →
October 28, 2019
The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...
October 30, 2019, 1:15 pm
Based in Adelaide, South Australia, Rising Sun Pictures (RSP) has created stunning visual effects for films including Spider-Man: Far From Home, Captain Marvel, Thor: Ragnarok and Game of Thrones.
It also operates a visual effects training program in conjunction with the University of South Australia in which students learn such skills as compositing, Continue reading →
October 28, 2019
The post Rising Sun Pictures’ Anna Hodge talks VFX education and training appeared first on postPer...
October 30, 2019, 1:15 pm
Technicolor has opened a new facility in Cardiff, Wales, within Wolf Studios. This expansion of the company’s post production footprint in the UK is a result of the growing demand for more high-quality content across streaming platforms and the need to post these projects, as well as the growth of production in Wales. Continue reading →
October 29, 2019
The post Technicolor Post opens in Wales appeared first on postPerspective.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
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