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August 29, 2019, 12:12 pm
By Amy Leland
Once Upon a Time… in Hollywood is marketed in a style similar to its predecessors — “the ninth film from Quentin Tarantino.” It is also the third film with Fred Raskin as Tarantino’s editor. Having previously edited Django Unchained and The Hateful Eight, Continue reading →
August 29, 2019
The post Fred Raskin talks editing and Once Upon a Time… in Hollywood appeared first on postPerspective.
December 12, 2019, 2:07 pm
Autodesk has released Autodesk Maya 2020 and Arnold 6 with Arnold GPU. Maya 2020 brings animators, modelers, riggers and technical artists a host of new tools and improvements for CG content creation, while Arnold 6 allows for production rendering on both the CPU and GPU. Maya 2020 adds more than 60 new updates, Continue reading → December 11, 2019 The post Maya 2020 and Arnold 6 now available from Autodesk appeared first on postPerspective.
December 12, 2019, 2:07 pm
The American Cinema Editors (ACE), the honorary society of the world’s top film editors, has announced its nominations for the 70th Annual ACE Eddie Awards recognizing outstanding editing in 11 categories of film, television and documentaries. For the first time in ACE’s history, three foreign language films are among the nominees, Continue reading → December 11, 2019 The post The 70th annual ACE Eddie Award nominations appeared first on postPerspective.
December 12, 2019, 2:07 pm
Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront announced a new, annual rental model for Colorfront Express Dailies. Launching in Q1 2020, Colorfront’s subscription service allows users to rent Express Dailies 2020 for an annual fee of $5,000, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, Continue reading → December 11, 2019 The post Colorfront’s Express Dailies 2020 for Mac ...
December 11, 2019, 1:42 pm
By Karen Moltenbrey At nearly every phase of the content creation process, storage is at the center. Here we look at two post facilities whose projects continually push boundaries in terms of data, but through it all, their storage solution remains fast and reliable. One, Light Iron, juggles an average of 20 to 40 data-intensive projects at a time and must have a robust storage solution to handle its ever-growing work. Continue reading → December 10, 2019 The post Storage for Post appea...
December 6, 2019, 2:07 pm
After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings. “Space is at a premium in central Soho, Continue reading → December 5, 2019 The post Creative Outpost buys Dolby-certified studios, takes on long-form appeared first on postPers...
December 5, 2019, 1:29 pm
Oscar-winning creative studio Framestore will be opening a full-service visual effects studio in Mumbai in 2020 to target India’s booming creative industry. The studio will be located in the Nesco IT Park in Goregaon, in the center of Mumbai’s technology district. The news hammers home Framestore’s continued interest in India, after having made a major investment in Jesh Krishna Murthy’s VFX studio, Continue reading → December 4, 2019 The post Framestore VFX will open in Mumbai i...
December 4, 2019, 2:25 pm
Martin Scorsese’s The Irishman, starring Robert De Niro, Al Pacino and Joe Pesci, tells the story of organized crime in post-war America as seen through the eyes of World War II veteran Frank Sheeran (DeNiro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. In the film, Continue reading → December 3, 2019 The post Video: The Irishman’s focused and intimate sound mixing appeared first on postPerspective.
December 3, 2019, 2:20 pm
By Iain Blair Editor Thelma Schoonmaker is a three-time Academy Award winner who has worked alongside filmmaker Martin Scorsese for almost 50 years. Simply put, Schoonmaker has been Scorsese’s go-to editor and key collaborator over the course of some 25 films, winning Oscars for Raging Bull, The Aviator and The Departed. Continue reading → December 2, 2019 The post The Irishman editor Thelma Schoonmaker appeared first on postPerspective.
November 28, 2019, 2:03 pm
A Beautiful Day in the Neighborhood stars Tom Hanks as children’s television icon Fred Rogers in a story about kindness triumphing over cynicism. Inspired by the article “Can You Say…Hero?” by journalist Tom Junod, the film is directed by Marielle Heller. The cinematographer Jody Lee Lipes worked on the color finishing with Deluxe New York’s Sam Daley. Continue reading → November 26, 2019 The post Deluxe NY adds color to Mister Rogers biopic appeared first on postPerspective.
November 22, 2019, 1:59 pm
By Chris Del Conte The ‘90s was an explosive era for visual effects, with films like Jurassic Park, Independence Day, Titanic and The Matrix shattering box office records and inspiring a generation of artists and filmmakers, myself included. I got my start in VFX working on seaQuest DSV, Continue reading → November 21, 2019 The post Creating With Cloud: A VFX producer’s perspective appeared first on postPerspective.
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
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