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  • Fred Raskin talks editing and Once Upon a Time…

    Fred Raskin talks editing and Once Upon a Time…

    August 29, 2019, 12:12 pm
    By Amy Leland
    Once Upon a Time… in Hollywood is marketed in a style similar to its predecessors — “the ninth film from Quentin Tarantino.” It is also the third film with Fred Raskin as Tarantino’s editor. Having previously edited Django Unchained and The Hateful Eight, Continue reading →
    August 29, 2019
    The post Fred Raskin talks editing and Once Upon a Time… in Hollywood appeared first on postPerspective.

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  • Other Postings By Member

    • The Mill opens boutique studio in Berlin
      VFX

      The Mill opens boutique studio in Berlin

      January 15, 2020, 2:09 pm
      Technicolor’s The Mill has officially launched in Berlin. This new boutique studio is located in the heart of Berlin, situated in the creative hub of Mitte, near many of Germany’s agencies, production companies and brands. The Mill has been working with German clients for years. Recent projects include the Mercedes Bertha Benz spot with director Sebastian Strasser, Continue reading → January 14, 2020 The post The Mill opens boutique studio in Berlin appeared first on postPerspective.

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    • VES Awards: The Lion King and Alita earn five noms
      EDITING

      VES Awards: The Lion King and Alita earn five noms

      January 10, 2020, 2:15 pm
      The Visual Effects Society (VES) has announced its nominees for the 18th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life. Alita: Battle Angel and The Lion King both have five nominations each; Continue reading → January 9, 2020 The post VES Awards: The Lion King and Alita earn five noms each appeared firs...

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    • Maryanne Brandon’s path, and editing Star Wars:
      EDITING

      Maryanne Brandon’s path, and editing Star Wars:

      January 9, 2020, 1:43 pm
      By Amy Leland In the interest of full disclosure, I have been a fan of both the Star Wars world and the work of J.J. Abrams for a very long time. I saw Star Wars: Episode IV – A New Hope  in the theaters with my big brother when I was five years old, Continue reading → January 7, 2020 The post Maryanne Brandon’s path, and editing Star Wars: The Rise of Skywalker appeared first on postPerspective.

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    • Behind the Title: Film Editor Edward Line
      EDITING

      Behind the Title: Film Editor Edward Line

      January 9, 2020, 1:43 pm
      By Randi Altman This British editor got his start at Final Cut in London, honing his craft and developing his voice before joining Cartel in Santa Monica. NAME: Edward Line COMPANY: Cartel CAN YOU DESCRIBE YOUR COMPANY? Continue reading → January 8, 2020 The post Behind the Title: Film Editor Edward Line appeared first on postPerspective.

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    • VFX pipeline trends for 2020
      VFX

      VFX pipeline trends for 2020

      January 3, 2020, 3:36 pm
      By Simon Robinson A new year, more trends — some burgeoning, and others that have been dominating industry discussions for a while. Underpinning each is the common sentiment that 2020 seems especially geared toward streamlining artist workflows, more so than ever before. There’s an increasing push for efficiency; not just through hardware but through better business practices and solutions to throughput problems. Continue reading → January 2, 2020 The post VFX pipeline trends for 2...

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    • ILM’s Pablo Helman on The Irishman‘s visual ef
      VFX

      ILM’s Pablo Helman on The Irishman‘s visual ef

      December 28, 2019, 2:09 pm
      By Karen Moltenbrey When a film stars Robert De Niro, Joe Pesci and Al Pacino, well, expectations are high. These are no ordinary actors, and Martin Scorsese is no ordinary director. These are movie legends. And their latest project, Netflix’s The Irishman, is no ordinary film. It features cutting-edge de-aging technology from visual effects studio Industrial Light & Continue reading → December 27, 2019 The post ILM’s Pablo Helman on The Irishman‘s visual effects appeared first on...

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    • Skywalker Sound and Cinnafilm partner on new audio
      SOUND

      Skywalker Sound and Cinnafilm partner on new audio

      December 20, 2019, 1:38 pm
      Iconic audio post studio Skywalker Sound and the makers of PixelStrings media conversion technology Cinnafilm are partnering on a new audio tool expected to hit in the first quarter of 2020. As the paradigms of theatrical, broadcast and online content begin to converge, the need to properly conform finished programs to specifications suitable for a variety of distribution channels has become more important than ever. Continue reading → December 19, 2019 The post Skywalker Sound and Cinn...

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    • Maxon and Red Giant to merge
      EDITING

      Maxon and Red Giant to merge

      December 19, 2019, 2:25 pm
      Maxon, developers of pro 3D software solutions, and Red Giant, makers of tools for editors, VFX artists, and motion designers, have agreed to merge under the media and entertainment division of Nemetschek Group. The transaction is expected to close in January 2020, subject to regulatory approval and customary closing conditions. Continue reading → December 18, 2019 The post Maxon and Red Giant to merge appeared first on postPerspective.

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    • Shape+Light VFX boutique opens in LA with Trent, L
      VFX

      Shape+Light VFX boutique opens in LA with Trent, L

      December 14, 2019, 2:40 pm

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    • Ford v Ferrari’s co-editors discuss the cut
      EDITING

      Ford v Ferrari’s co-editors discuss the cut

      December 13, 2019, 2:15 pm
      By Oliver Peters After a failed attempt to acquire European carmaker Ferrari, an outraged Henry Ford II sets out to trounce Enzo Ferrari on his own playing field — automobile endurance racing. That is the plot of 20th Century Fox’s Ford v Ferrari, directed by James Mangold. In the end, Continue reading → December 12, 2019 The post Ford v Ferrari’s co-editors discuss the cut appeared first on postPerspective.

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