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September 5, 2019, 12:38 pm
Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back.
NAME: Torin Geller
COMPANY: NYC’s One Thousand Birds (OTB)
CAN YOU DESCRIBE YOUR COMPANY?
OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading →
September 5, 2019
The post Behind the Title: One Thousand Birds sound designer Torin Geller appeared first on postPerspective.
December 11, 2019, 1:42 pm
By Karen Moltenbrey
At nearly every phase of the content creation process, storage is at the center. Here we look at two post facilities whose projects continually push boundaries in terms of data, but through it all, their storage solution remains fast and reliable. One, Light Iron, juggles an average of 20 to 40 data-intensive projects at a time and must have a robust storage solution to handle its ever-growing work. Continue reading →
December 10, 2019
The post Storage for Post appea...
December 6, 2019, 2:07 pm
After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings.
“Space is at a premium in central Soho, Continue reading →
December 5, 2019
The post Creative Outpost buys Dolby-certified studios, takes on long-form appeared first on postPers...
December 5, 2019, 1:29 pm
Oscar-winning creative studio Framestore will be opening a full-service visual effects studio in Mumbai in 2020 to target India’s booming creative industry. The studio will be located in the Nesco IT Park in Goregaon, in the center of Mumbai’s technology district. The news hammers home Framestore’s continued interest in India, after having made a major investment in Jesh Krishna Murthy’s VFX studio, Continue reading →
December 4, 2019
The post Framestore VFX will open in Mumbai i...
December 4, 2019, 2:25 pm
Martin Scorsese’s The Irishman, starring Robert De Niro, Al Pacino and Joe Pesci, tells the story of organized crime in post-war America as seen through the eyes of World War II veteran Frank Sheeran (DeNiro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. In the film, Continue reading →
December 3, 2019
The post Video: The Irishman’s focused and intimate sound mixing appeared first on postPerspective.
December 3, 2019, 2:20 pm
By Iain Blair
Editor Thelma Schoonmaker is a three-time Academy Award winner who has worked alongside filmmaker Martin Scorsese for almost 50 years. Simply put, Schoonmaker has been Scorsese’s go-to editor and key collaborator over the course of some 25 films, winning Oscars for Raging Bull, The Aviator and The Departed. Continue reading →
December 2, 2019
The post The Irishman editor Thelma Schoonmaker appeared first on postPerspective.
November 28, 2019, 2:03 pm
A Beautiful Day in the Neighborhood stars Tom Hanks as children’s television icon Fred Rogers in a story about kindness triumphing over cynicism. Inspired by the article “Can You Say…Hero?” by journalist Tom Junod, the film is directed by Marielle Heller. The cinematographer Jody Lee Lipes worked on the color finishing with Deluxe New York’s Sam Daley. Continue reading →
November 26, 2019
The post Deluxe NY adds color to Mister Rogers biopic appeared first on postPerspective.
November 22, 2019, 1:59 pm
By Chris Del Conte
The ‘90s was an explosive era for visual effects, with films like Jurassic Park, Independence Day, Titanic and The Matrix shattering box office records and inspiring a generation of artists and filmmakers, myself included. I got my start in VFX working on seaQuest DSV, Continue reading →
November 21, 2019
The post Creating With Cloud: A VFX producer’s perspective appeared first on postPerspective.
November 20, 2019, 1:49 pm
By Oliver Peters
“I’ll be back,” has turned out to be more than simply an iconic movie line. Sarah Connor (Linda Hamilton) and the T-800 (Arnold Schwarzenegger) are indeed back to save humanity from a dystopian future in this latest installment of the Terminator franchise. James Cameron is back on board, Continue reading →
November 19, 2019
The post Editing Terminator: Dark Fate appeared first on postPerspective.
November 19, 2019, 1:49 pm
By Ron DiCesare
In 2010, President Obama signed the CALM Act (Commercial Advertisement Loudness Mitigation) regulating the audio levels of TV commercials. At that time, I had many “laypeople” complain to me how commercials were often so much louder than the TV programs. Over the last 10 years, I have seen the rise of audio meter plugins to meet the requirements of the CALM Act, Continue reading →
November 18, 2019
The post Review: Nugen Audio’s VisLM2 loudness meter plugin appeare...
November 16, 2019, 2:14 pm
Final Cut Edit in LA has promoted Zoe Schack to editor, after working at the studio as an assistant editor for three years. While at Final Cut, Schack was mentored by Final Cut editors Crispin Struthers, Joe Guest, Jeff Buchanan and Rick Russell.
Schack has edited branded content and commercials for Audi, Continue reading →
November 15, 2019
The post Final Cut ups Zoe Schack to editor appeared first on postPerspective.
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
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