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September 21, 2019, 3:57 pm
By David Cox
IBC 2019 kicked off with an intriguing announcement from Avid. The company entered into a strategic alliance with Microsoft and Disney’s Studio Lab to enable remote editorial workflows in the cloud.
The interesting part for me is how this affects the perception of post producing in the cloud, Continue reading →
September 19, 2019
The post IBC 2019 in Amsterdam: Big heads in the cloud appeared first on postPerspective.
November 12, 2019, 2:51 pm
By Pat Birk Izotope is back with its latest release, Ozone 9. And with it, they hope to provide a comprehensive package of tools to streamline the audio engineer’s workflow. The company has been on my radar for a number of years now, having used the RX suite extensively for clean up and restoration of production audio. Continue reading → November 11, 2019 The post Review: iZotope’s Ozone 9 is not just for mastering appeared first on postPerspective.
November 9, 2019, 1:58 pm
#SMPTE2019, #Avid, #MediaComposer, #Nexis, #postPerspective Michael Krulik from Avid discusses Media Composer 2019 and its newest features, as well as Nexis storage that works closely with Media Composer 2019, and new cloud solutions offerings. He also talked about the new S1 and S4 control surfaces.
November 7, 2019, 1:58 pm
By Jennifer Walden Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading → November 5, 2019 The post Harbor crafts color and sound for The Lighthouse appeared...
November 7, 2019, 1:58 pm
Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor. Over the past 15 years, Continue reading → November 5, 2019 The post James Norris joins Nomad in London as editor, partner appeared first on postPerspective.
November 5, 2019, 2:09 pm
#SMPTE2019 #RogerBarton #filmeditor #Evercast Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/
November 4, 2019, 2:13 pm
#SMPTE2019 #Endcrawl #endtitles #postPerspective Pliny is the co-founder of Endcrawl.com, a cloud tool for building and rendering end credits with unlimited do-overs. It is used by post supervisors, producers and post pros. Pliny has spent 15 years working in post, including a six-year stint at HBO. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019
November 3, 2019, 8:56 pm
Dalet’s AmberFin software-based transcoding asset management system now includes Dolby Vision HDR technology targeting media professionals, studios and streaming service providers. The newly updated Dalet AmberFin engine enables mastering and distribution workflows for production, post and streaming In addition to Dolby Vision and a bunch of other new software-only features, Dalet AmberFin can also be enhanced with hardware acceleration tools such as the M820L HEVC encoder plugin card fro...
October 31, 2019, 12:49 pm
Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...
October 30, 2019, 1:15 pm
New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX. Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading → October 28, 2019 The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...
October 30, 2019, 1:15 pm
Based in Adelaide, South Australia, Rising Sun Pictures (RSP) has created stunning visual effects for films including Spider-Man: Far From Home, Captain Marvel, Thor: Ragnarok and Game of Thrones. It also operates a visual effects training program in conjunction with the University of South Australia in which students learn such skills as compositing, Continue reading → October 28, 2019 The post Rising Sun Pictures’ Anna Hodge talks VFX education and training appeared first on postPer...
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
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