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September 27, 2019, 12:51 pm
The feature film Downton Abbey is a continuation of the popular TV series, which followed the lives of the aristocratic Crawley family and their domestic help. Created by Julian Fellowes, the film is based in 1927, one year after the show’s final episode, bringing with it the exciting announcement of a royal visit to Downton from King George V and Queen Mary. Continue reading →
September 26, 2019
The post Using VFX to turn back time for Downton Abbey film appeared first on postPerspective.
December 13, 2019, 2:15 pm
By Oliver Peters
After a failed attempt to acquire European carmaker Ferrari, an outraged Henry Ford II sets out to trounce Enzo Ferrari on his own playing field — automobile endurance racing. That is the plot of 20th Century Fox’s Ford v Ferrari, directed by James Mangold. In the end, Continue reading →
December 12, 2019
The post Ford v Ferrari’s co-editors discuss the cut appeared first on postPerspective.
December 13, 2019, 2:15 pm
By Brady Betzel
As an online editor and colorist, I have tried a lot of hardware interfaces designed for apps like Adobe Premiere, Avid Media Composer, Blackmagic DaVinci Resolve and others. With the exception of professional color correction surfaces like the FilmLight Baselight, the Resolve Advanced Panel and Tangent’s Element color correction panels, Continue reading →
December 12, 2019
The post Review: The Sensel Morph hardware interface appeared first on postPerspective.
December 13, 2019, 2:15 pm
Frame.io’s review and collaboration platform is now available on the iPad. The company acknowledges there are times when watching dailies, evaluating VFX shots or getting a better sense of composition and color benefits from a larger display than a smartphone can offer. Enter Frame.io for iPad. They also point to the tablet’s high-resolution screen, Continue reading →
December 12, 2019
The post Frame.io platform is now on the iPad appeared first on postPerspective.
December 12, 2019, 2:07 pm
Autodesk has released Autodesk Maya 2020 and Arnold 6 with Arnold GPU. Maya 2020 brings animators, modelers, riggers and technical artists a host of new tools and improvements for CG content creation, while Arnold 6 allows for production rendering on both the CPU and GPU.
Maya 2020 adds more than 60 new updates, Continue reading →
December 11, 2019
The post Maya 2020 and Arnold 6 now available from Autodesk appeared first on postPerspective.
December 12, 2019, 2:07 pm
The American Cinema Editors (ACE), the honorary society of the world’s top film editors, has announced its nominations for the 70th Annual ACE Eddie Awards recognizing outstanding editing in 11 categories of film, television and documentaries.
For the first time in ACE’s history, three foreign language films are among the nominees, Continue reading →
December 11, 2019
The post The 70th annual ACE Eddie Award nominations appeared first on postPerspective.
December 12, 2019, 2:07 pm
Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront announced a new, annual rental model for Colorfront Express Dailies.
Launching in Q1 2020, Colorfront’s subscription service allows users to rent Express Dailies 2020 for an annual fee of $5,000, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, Continue reading →
December 11, 2019
The post Colorfront’s Express Dailies 2020 for Mac ...
December 11, 2019, 1:42 pm
By Karen Moltenbrey
At nearly every phase of the content creation process, storage is at the center. Here we look at two post facilities whose projects continually push boundaries in terms of data, but through it all, their storage solution remains fast and reliable. One, Light Iron, juggles an average of 20 to 40 data-intensive projects at a time and must have a robust storage solution to handle its ever-growing work. Continue reading →
December 10, 2019
The post Storage for Post appea...
December 6, 2019, 2:07 pm
After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings.
“Space is at a premium in central Soho, Continue reading →
December 5, 2019
The post Creative Outpost buys Dolby-certified studios, takes on long-form appeared first on postPers...
December 5, 2019, 1:29 pm
Oscar-winning creative studio Framestore will be opening a full-service visual effects studio in Mumbai in 2020 to target India’s booming creative industry. The studio will be located in the Nesco IT Park in Goregaon, in the center of Mumbai’s technology district. The news hammers home Framestore’s continued interest in India, after having made a major investment in Jesh Krishna Murthy’s VFX studio, Continue reading →
December 4, 2019
The post Framestore VFX will open in Mumbai i...
December 4, 2019, 2:25 pm
Martin Scorsese’s The Irishman, starring Robert De Niro, Al Pacino and Joe Pesci, tells the story of organized crime in post-war America as seen through the eyes of World War II veteran Frank Sheeran (DeNiro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. In the film, Continue reading →
December 3, 2019
The post Video: The Irishman’s focused and intimate sound mixing appeared first on postPerspective.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
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