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October 22, 2019, 1:10 pm
First, you need to isolate the skin with a selection so you can work with it without affecting the rest of the image. Then, you can even out the skin, unifying the tone so it’s a universal color, without making the person look like they’re wearing too much foundation. Next, decrease the mid-tone density so that small imperfections disappear. Finally, add a layer mixer node so that the skin color you’ve just worked on is protected from other grades you might make. Let’s look at them in turn.
October 22, 2020, 12:41 pm
Between things like camera shake and poor lighting, the videos you take with your phone, DSLR or mirrorless camera can end up blurry for any numbers of reasons. Worse yet, it’s difficult to sharpen a photo or video after the fact, and more often than not, the results don’t look great. However, with the help of AI, Adobe thinks it may have the solution for blurry photos and videos.
October 21, 2020, 4:03 pm
Yesterday marked the first day of Adobe MAX 2020, this year taking place entirely online and free to access for all. I’ve been lucky enough to be invited to cover the event the past two years and this time was no different (although obviously, from the comfort of my apartment).
October 21, 2020, 12:25 pm
Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’
October 20, 2020, 4:23 pm
Adobe MAX is here so that must mean another update to Adobe Premiere Pro. I know what you’re thinking… didn’t Adobe just have a big update? Yes, they did, the September release. With that release, we got Scene Edit Detection and some new beta stuff. This MAX release gives us more beta stuff and some early access. I guess technically this isn’t a new release of the shipping version then and more of a look at features down the road.
October 20, 2020, 12:45 pm
VIEW Conference has just announced that its 2020 Visionary Award is being presented to Industrial Light & Magic senior VFX supervisor and creative director, Dennis Muren, who will participate in his own keynote Q&A on the conference’s final day. Part of the core visual effects team that worked on the original Star Wars, Muren was at the forefront of the digital effects revolution with his groundbreaking work on The Abyss, Terminator 2: Judgment Day and Jurassic Park. At ILM, the nine-time Oscar winner continues to steer the evolution of the company while championing new effects techniques and technologies.
October 20, 2020, 12:45 pm
Industrial Light & Magic’s Dennis Muren will receive the VIEW Conference’s 2020 Visionary Award during this year’s event, which is taking place both in-person in Turin, Italy, and virtually.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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