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  • Night of the Demons (1988)

    Night of the Demons (1988)

    October 24, 2019, 1:00 pm
    “I've never heard so many disgusting stories in all my life.” — Judy Cassidy





















































































    ...

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  • Other Postings By Member

    • Hunters (2020)
      EDITING

      Hunters (2020)

      April 1, 2020, 12:59 pm
      “For where you're going, there'll be bears. And there'll be wolves.” — Ulysses F. O'Harrison ...

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    • SXSW 2020 Film Awards: Title Design Finalists
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      SXSW 2020 Film Awards: Title Design Finalists

      March 20, 2020, 12:10 pm
      The SXSW 2020 Title Design Competition screening and judging process, set to take place on March 15th in Austin, Texas, was cancelled this year. So we've brought all the nominated work together here.For title designers in the United States, there are few avenues for formal peer recognition. There is no Oscar for title sequence design. In the United Kingdom, there's a BAFTA for Titles and Graphic Identity and in the United States, there's a Primetime Emmy Award for Outstanding Main Title ...

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    • 10 Women of Title Design – Part Six
      EDITING

      10 Women of Title Design – Part Six

      March 16, 2020, 12:18 pm
      We are ecstatic to present part six of our annual 10 Women of Title Design feature, bringing the number of women showcased to 60!In March of 2015, we published our first article in celebration of International Women’s Day entitled 10 Women of Title Design. Every year since, we've returned with a new group of 10 women in the title design industry to celebrate. When we first conceptualized this feature, we never imagined we would be able to showcase this many women. We are humbled and over...

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    • Nina Saxon: A Career Retrospective, Part 2
      EDITING

      Nina Saxon: A Career Retrospective, Part 2

      February 24, 2020, 10:49 am
      If there’s a pithy phrase that can be applied to title designer Nina Saxon’s career perhaps it’s Always be hustling.As Part One of our career retrospective discusses, Saxon started out as a visual effects artist on Star Wars (1977) and then spent the ’80s in a state of near-constant hustle, launching what was to become a 40-year career as a designer of memorable film and TV title sequences. With iconic work for box office hits Romancing the Stone (1984) and Back to the Future (1985),...

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    • Top 10 Title Sequences of 2019 (2019)
      EDITING

      Top 10 Title Sequences of 2019 (2019)

      December 27, 2019, 2:35 pm
      The Best Title Sequences of 2019, as chosen by Art of the TitleFor our sixth annual list of the year’s top 10 title sequences, Art of the Title's panel of experts chose from among film, television, video games, events, and conferences. The Top 10 of 2019 were chosen based on criteria including originality and innovation, impact, atmosphere, relevance to subject matter, and technique.Paring the long list down from more than 200 to just 10 was a difficult task, but one done with relish. T...

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    • Melancholia (2011)
      EDITING

      Melancholia (2011)

      December 11, 2019, 1:41 pm
      “Life is only on Earth. And not for long.” — Justine ...

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    • Semi-Permanent Sydney 2019 (2019)
      EDITING

      Semi-Permanent Sydney 2019 (2019)

      November 7, 2019, 1:57 pm
      "Beauty is truth, truth beauty" wrote English poet John Keats in 1819. "That is all ye know on earth, and all ye need to know." For creative directors Hazel Baird and Heidi Berg, however, Keats's eternal chiasmus is incomplete; their truth is so much more. In their opening to Semi-Permanent Sydney 2019, Truth is a savior and a shadow, a creator and a cannibal, a phantasmagoria pieced together by a wide-ranging crew and bursting with darkness, colour, and inspiration. In 2018, wh...

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    • The Exorcist (1973)
      EDITING

      The Exorcist (1973)

      September 1, 2019, 5:59 am
      “I'm the Devil. Now kindly undo these straps.” — Demon ...

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    • Nina Saxon: A Career Retrospective, Part 1
      EDITING

      Nina Saxon: A Career Retrospective, Part 1

      June 18, 2019, 12:55 pm
      In 1996, critic Laurie Halpern Benenson, writing for the New York Times, called Nina Saxon “one of the most sought-after designers in the business” and it was true: some years, she could barely keep up with demand. Beginning in 1980 and working well into the 2010s, Saxon lent her titling talent to more than 200 films and TV series, working with directors including Robert Zemeckis, Martin Scorsese, Lasse Halström and Michael Lehmann. Her compelling visions and iconic graphics can b...

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    • Babylon Berlin (2018)
      EDITING

      Babylon Berlin (2018)

      April 24, 2019, 5:27 am
      “Zu asche, zu staub. Zu asche. Doch noch nicht jetzt.” ...

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