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  • SOUND FORGE Pro Revisited

    SOUND FORGE Pro Revisited

    May 23, 2020, 3:21 pm
    I’ve reviewed SOUND FORGE a number of times over the years, most recently in 2017. Since its initial development, it has migrated from Sonic Foundry to Sony Creative Software and most recently Magix, a German software developer. Magix’s other products are PC-centric, but SOUND FORGE comes in both Mac and Windows versions. The updated 3.0 […]

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  • Other Postings By Member

    • Color Finale 2.1 Update
      COLOR

      Color Finale 2.1 Update

      May 17, 2020, 2:16 pm
        Color grading roundtrips are messy and prone to errors. Most editors want high-quality solutions that keep them within their favorite editing application. Color Trix launched the revamped Color Finale 2 this past December with the goal of building Final Cut Pro X into a competitive, professional grading environment. In keeping to that goal, Color […]

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    • Chasing the Elusive Film Look
      EDITING

      Chasing the Elusive Film Look

      May 10, 2020, 7:06 pm
      Ever since we started shooting dramatic content on video, directors have pushed to achieve the cinematic qualities of film. Sometimes that’s through lens selection, lighting, or frame rate, but more often it falls on the shoulders of the editor or colorist to make that video look like film. Yet, many things contribute to how we […]

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    • Paul McCartney’s “Who Cares”
      EDITING

      Paul McCartney’s “Who Cares”

      May 1, 2020, 1:43 pm
      Paul McCartney hasn’t been the type of rock star to rest on his past. Many McCartney-related projects have embraced new technologies, such as the 360VR. The music video for Who Cares – McCartney’s musical answer to bullying – was filmed in both 16mm and 65mm film. And it was edited using Final Cut Pro X. […]

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    • Jezebel
      EDITING

      Jezebel

      April 26, 2020, 5:08 pm
      If you’ve spent any time in Final Cut Pro X discussion forums, then you’ve probably run across posts by Tangier Clarke, a film editor based in Los Angeles. Clarke was an early convert to FCPX and recently handled the post-production finishing for the film, Jezebel. I was intrigued by the fact that Jezebel was picked […]

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    • Everest VR and DaVinci Resolve Studio
      VFX

      Everest VR and DaVinci Resolve Studio

      April 20, 2020, 12:36 pm
      In April of 2017, world famous climber Ueli Steck died while preparing to climb both Mount Everest and Mount Lhotse without the use of bottled oxygen. Ueli’s close friends Jonathan Griffith and Sherpa Tenji attempted to finish this project while director/photographer Griffith captured the entire story. The result is the 3D VR documentary, Everest VR: […]

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    • FxFactory 2020
      VFX

      FxFactory 2020

      April 10, 2020, 12:58 pm
      Apple Final Cut Pro X enjoys a broad ecosystem that augments and supports the product with companion applications, graphic templates, and plug-ins. Thanks to the ability to use Motion to create Final Cut Pro X template effects, the application has spawned a wide range of innovative, albeit sometimes novice, developers. But really getting the most […]

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    • The Banker
      EDITING

      The Banker

      April 7, 2020, 2:11 pm
      Apple has launched its new TV+ service and this provides another opportunity for filmmakers to bring untold stories to the world. That’s the case for The Banker, an independent film picked up by Apple. It tells the story of two African American entrepreneurs attempting to earn their piece of the American dream during the repressive […]

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    • Pixelmator Pro Revisited
      EDITING

      Pixelmator Pro Revisited

      March 28, 2020, 1:48 pm
      Many Final Cut Pro X users prefer the software precisely because it does not require an ongoing subscription. If you bought all of Apple’s ProApps products, then you have largely replaced the need for an Adobe Creative Cloud subscription. The exception to that is graphics and photography design and manipulation. Even the most diehard FCPX […]

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    • Apple 2019 16″ MacBook Pro
      EDITING

      Apple 2019 16″ MacBook Pro

      March 21, 2020, 1:49 pm
      Creatives in all fields are the target market for Apple’s MacBook Pro product line. Apple introduced the 16″ model to replace its 15″ predecessor in late 2019. This new model is not only a serious tool for location work but is powerful enough to form the hub of your edit suite, whether on-site or at […]

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    • Color Finale 2.0
      COLOR

      Color Finale 2.0

      March 14, 2020, 2:11 pm
      HDR, camera raw, and log profiles are an ever-increasing part of video acquisition, so post-production color correction has become an essential part of every project. Final Cut Pro X initially offered only basic color correction tools, which were quickly augmented by third party developers. One of the earliest was Color Finale – the brainchild of […]

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