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September 14, 2020, 4:44 pm
It’s always tricky to find where to start when you’re beefing up your home system, so that you can tackle 4K projects in your work from home/remote setup. For me, as I’ve mentioned before, portability is important.
January 16, 2021, 4:36 pm
Film editor Michelle Tesoro likens constructing the tense chess matches in The Queen's Gambit — Netflix's limited series about fictional chess prodigy Beth Harmon, played by Anya Taylor-Joy — to cutting dialogue scenes, even though few words are spoken during the hushed games.
January 15, 2021, 1:52 pm
In this Edu Puertas video, he shows 8 simple and effective stop motion animation tips and effects tricks. The light effects were the big eye openers for me.
January 15, 2021, 1:52 pm
A.R. Rahman, the Oscar-, BAFTA-, Golden Globe- and Grammy-winning Indian composer of “Slumdog Millionaire,” is set to return to Hollywood projects after a hiatus.
January 14, 2021, 6:07 pm
Featuring an IPS panel with 100% sRGB colour gamut, the Asus ProArt Display PA329CV brings 4K and accurate colors to the big screen. The portable PA148CTV features Asus Dial and Virtual Control Panel.
January 14, 2021, 6:07 pm
Western Digital acquired SanDisk in 2016, and since then has expanded the popular brand among creators beyond the familiar memory cards and USB flash drives to include portable SSDs.
January 13, 2021, 5:33 pm
In the vast history of film and video, there’s perhaps no cinematic or editing technique more recognizable or powerful than the montage. Movie-lovers like us see it in cheesy hits from the 1980s and 1990s like Bloodsport and Dirty Dancing. We see it in critically acclaimed art films like The Godfather and Citizen Kane. We even see its classical roots in Battleship Potemkin (1925) and recreated and homaged in The Untouchables (1987).
January 13, 2021, 5:33 pm
Sound design legend Randy Thom shares what it took to create the sound for George Clooney's 'The Midnight Sky'...
January 13, 2021, 5:32 pm
Let’s have a look at the motion graphics work and the creation of the alien planet Kepler 23 made by the teams of One of Us for the Netflix movie, The Midnight Sky:
January 13, 2021, 5:32 pm
Both Mike Matzdorff and I are professional career editors who work on multiple edit systems. We’ve realized that most NLEs are variations on a theme—source clips, tracks, insert, and overwrite. Final Cut Pro X stands alone with a truly unique approach to editing including its ability to cut with no tracks and a magnetic timeline. This results in a vastly different and more efficient editing workflow with significant advantages, if you learn the ropes.
January 13, 2021, 5:32 pm
Let’s have a look at the seamless work by VFX Legion made on Black Box, one of the movies from the Welcome to Blumhouse anthology...
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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