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December 19, 2009, 5:41 am
Equally comfortable with glossy thrillers and contemplative mood pieces, Howard Smith brings his insightfulness about the aesthetics of editing to this December 1990 interview, conducted during the editing stages of the Kathryn Bigelow film POINT BREAK.
February 21, 2019, 11:10 am
Ludwig Göransson is fairly new to the music-for-screens game, but it surprised no one when his score for the billion-dollar “Black Panther” — a deft swirl of blockbuster orchestra, hip-hop and authentic Africana — prompted his first Oscar nomination (and three Grammys on Feb. 10). The Swedish composer spoke to Variety in the midst of scoring the Disney Plus “Star Wars” spinoff series “The Mandalorian.”
February 21, 2019, 11:10 am
It was only a matter of time until it was viable to use NVMe SSD as portable storage solutions, but the market needed an enclosure with a completely tool-free design. Plugable just announced one.
February 21, 2019, 11:09 am
The G-Speed Shuttle EV is a 4-bay RAID Thunderbolt 3 storage device capable of transfer speeds up to 500MB/s. It retails at $1999.95 for the 20TB version, and $2299.85 for the 24TB variation.
February 21, 2019, 11:09 am
Italian studio EDI Effetti Digitali Italiani presents their work on IL PRIMO RE (THE FIRST KING)...
February 21, 2019, 6:45 am
Sound does not travel in the void of space, and yet something about going out of this world just seems to inspire film composers to bring their A-game. From John Williams’ Star Wars themes to Hans Zimmer dialing up his dramatic tendencies to 11 for Interstellar, the final frontier has inspired some of the greatest and grandest film scores of all time.
February 21, 2019, 6:45 am
hen we think of Academy Award-winning sound design, 2017’s bombastic Dunkirk score by Hanz Zimmer or 2016’s haunting Arrival soundtrack (Jóhann Jóhannsson) come to mind, but the 2019 Oscars may surprise us by rewarding a compelling new trend in cinematic sound: the absence of sound itself.
February 20, 2019, 10:38 am
In this tutorial, we’re going to continue our series of cool Adobe After Effects tips and tricks you might have overlooked and we’ll take a look at 7 productivity tips that will improve your workflow and enable you to complete and deliver projects faster
February 20, 2019, 10:38 am
Freddie Mercury biopic Bohemian Rhapsody “is the classic narrative arc of alienated artist and inflated ego, who is then humbled and who finally brings the band back together for triumphal come back,” the film’s editor John Ottman, ACE told IBC365.
February 20, 2019, 10:38 am
In partnership with /r/homelab we gave away a Synology RS214 recently. The mission was simple, just post an anecdote about that one time you made a mistake in your home lab. There were over 150 replies with stories that ranged from funny to depressing. Below are a few of our and the community's favorites.
February 20, 2019, 10:38 am
Watching movies can certainly be an emotional experience, but so can making them. When people pour their heart and soul into their job it can be emotionally taxing. Sometimes, however, your co-workers just drive you to break down. That's apparently what happened to John Ottman, the editor on the Tom Cruise World War II drama Valkyrie. Apparently, the star would come in and work with Ottman in the editing room, then writer Christopher McQuarrie would come and make changes to what Cruise had done, which would then be followed by director Bryan Singer making more changes. Eventually the constant changes would cause Ottman to break into actual tears in frustration. According to the editor...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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