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  • Light Sabre Battles! (v)

    Light Sabre Battles! (v)

    January 18, 2012, 3:00 pm
    As an interesting note, it was conveniently blocked by FOX just as the internet is on blackout strike today in solidarity against SOPA. American friends, please be aware that if SOPA passes, videos like this where I attempt to teach about film editing in a fun way will not be available anymore, even if I am in compliance with the Fair Use clause— in fact, I could be shut down, fined, and/or jailed without due process. If you like the internet and the ability to find information freely and easily, please educate yourself about this bill, and do whatever you can to stop it from passing!

    Otherwise, enjoy this vlog version of my best edited light sabre battles!!

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  • Other Postings By Member
    • The Top 5 American Western Standoffs
      EDITING

      The Top 5 American Western Standoffs

      August 5, 2009, 12:24 pm
      To kick off the first post for the Edit Decision List, I thought it would be fitting to choose a topic that relies on one of the most fundamental techniques in editing film: building tension. There are many places for using this technique, but it is in its most blatant use in the Western Standoff. Therefore here is The Top 5 American Western Standoffs based on editing.

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    • Top 5 Edited Live Action Movie With Talking Animal
      EDITING

      Top 5 Edited Live Action Movie With Talking Animal

      July 17, 2009, 12:32 pm
      I just recently finished compositing some shots for a live-action Disney DVD film (soon to come) involving talking animals. This is the first time that I’ve really done anything like that, and although I wasn’t editing, I could appreciate how difficult it can be to edit a film with animal actors as I saw the shots come in. And it’s difficult regardless of if they have moving mouths or not. Animals aren’t really "acting" on their free will as humans do, so discerning which take is the best has to with a mixture of the action being performed properly (pun intended) as well as juxtaposing the action with another action to convey an accurate sense of emotion, which 95% of animals (arguably) don’t naturally exhibit.

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