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Episode 052 – Interview with Elisabet Ronaldsdóttir

September 28, 2021, 08:43 AM

https://cceditors.ca/2021/09/07/episode-052-interv...

Episode 52: Interview with Elisabet Ronaldsdóttir In this episode Sarah Taylor sits down with Elisabet Ronaldsdóttir. Elisabet has a killer film resume and has cut many much loved action films – Atomic Blond, John Wick and Deadpool 2 to name a few. This month she has two new films coming out – Marvel’s latest SHANG-CHI […] The post Episode 052 – Interview with Elisabet Ronaldsdóttir appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.

Designing “The Queen’s Gambit” titles with Adobe After Effects

September 28, 2021, 08:43 AM

https://www.provideocoalition.com/designing-the-qu...

While superheroes and thrilling action are more popular than ever, millions tuned in to watch a different kind of battle in 2020: the battle of brains in the intense world of competitive chess. “The Queen’s Gambit”, starring Anya Taylor-Joy, became a smash hit for Netflix in 2020. Millions of viewers watched the seven-episode series chronicling [...]Read More...

Is surround sound a waste of time? [Rant]

September 28, 2021, 08:43 AM

https://www.redsharknews.com/is-surround-sound-a-w...

Surround sound under attack! A growing number of audiophiles are getting tired of surround sound. Nigel Cooper is one of them, and here's what he has to say about the matter.

How to Create Decals, Stickers, and Overlays With Redshift

September 28, 2021, 08:43 AM

https://lesterbanks.com/2021/09/how-to-create-deca...

Zak shows a few ways to make stickers and overlays on top of objects with Redshift in C4D. There are more than a few ways to place stickers and the like on objects in 3D. If you

A Look at How Data Flows in Maya’s Dependency Graph

September 28, 2021, 08:43 AM

https://lesterbanks.com/2021/09/a-look-at-how-data...

Mathias Røyrvik looks into how data flows through the dependency graph in Maya and how to use it to your advantage. A new (ish) suite of videos from senior technical artist Mathias Røyrvik runs through