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FX Shots for Episodic Drama Germinal Captured on the URSA Mini Pro 12K

October 27, 2021, 09:54 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that DaVinci Resolve was used through the digital intermediate (DI) pipeline on French period drama Germinal, with key VFX shots produced using the Blackmagic URSA Mini Pro 12K.

#blackmagic design#davinci resolve studio#davinci resolve advanced panel#ursa mini pro 12k
Senior colorist Vincent Taylor joins Harbor

October 27, 2021, 08:42 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

NEW YORK CITY — Harbor (https://harborpicturecompany.com) has added Vincent Taylor to its artist roster as senior colorist. Prior to joining the studio, Taylor served as senior colorist at MPC Shanghai, senior colorist at MPC NY, head of color & senior colorist at Chimney NY and senior colorist at The Lab, Sydney. A 20-year veteran, Taylor has worked across all genres, including advertising, features, episodic television, music videos and documentaries. His early background as a cinematographe...

BeloFX opens in Canada & the UK

October 27, 2021, 08:42 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

QUEBEC, CANADA — BeloFX (www.belofx.com) is a new visual effects company that has opened for business in British Columbia and Quebec, Canada, as well as in the UK. Built on a core belief in creative talent empowered by technology, the company will harness the potential of distributed working from its inception.

Prox & Reverie launches as new Metaverse studio

October 27, 2021, 08:41 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

DONCASTER, UK — XR innovator Martin Taylor and ex-Disney EP Alistair Maclean-Clark have formed Prox & Reverie (https://proxandreverie.com), a new XR production and immersive entertainment studio. Prox & Reverie aims to provide a complete service to creatives and brands looking to harness the power of mixed reality technology. Their purpose-built studio system - dubbed 'The Forge' - contains interactive production tools from Varjo, Oculus, Xsens motion capture, Manus, Faceware and Vive, to name...

Adobe MAX 2021 means an updated Adobe Premiere Pro

October 27, 2021, 08:41 AM

https://www.provideocoalition.com/adobe-max-2021-m...

It’s time for another Adobe MAX which must mean yet another update to Adobe Premiere Pro! Adobe MAX is once again all virtual and completely free so if you haven’t yet signed up get over to the Adobe MAX site and do it right now! There’s some nice, new stuff happening in Adobe Premiere Pro, After Effects [...]Read More...

Adobe releases new After Effects and Premiere Pro updates

October 27, 2021, 08:40 AM

https://www.redsharknews.com/adobe-releases-signif...

It’s time for this year’s (virtual) Adobe Max and that means the next round of updates for Creative Cloud apps as well as upcoming features to enter public beta.

How to Use Splines as Cutting Tools in C4D

October 27, 2021, 08:40 AM

https://lesterbanks.com/2021/10/how-to-use-splines...

Digital Meat shows how you can use splines to cut polygons in Cinema 4D. Splines are incredibly useful in 3D. In Cinema 4D, you can even use them to cut polygons. Check out this quick tutorial

Shaina Holmes on Creating VFX for Indie FilmLooks That Kill

October 27, 2021, 08:40 AM

https://postperspective.com/shaina-holmes-on-creat...

By Randi Altman  To say that Shaina Holmes is a busy lady would be an understatement. In addition to her job as an assistant professor of television, radio and film at Syracuse University (Newhouse), she is the owner of Flying Turtle Post, which provides visual effects and post for independent films. Continue reading → October 26, 2021 The post Shaina Holmes on Creating VFX for Indie FilmLooks That Kill appeared first on postPerspective.

How to Make a Colorful Gradient 3D Sphere in After Effects

October 27, 2021, 08:39 AM

https://lesterbanks.com/2021/10/how-to-make-a-colo...

Valeri Visuals shows how to make a gradient 3D sphere animation in Ae with stock plugins. This new tutorial from Valeri Hudedatov (Valeri Visuals) shows how to turn a colorful, soft-focus gradient into a 3D sphere that

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