It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
June 19, 2017, 09:28 AM
Check out their work involving transforming ordinary locations into war torn Afghanistan on the Netflix exclusive War Machine starring Brad Pitt. Lots of set extensions, matte paintings, and turning ordinary jetliners into Air Force. The importance of VFX work that allows films to be shot wherever best fits the budgets.#netflix#vfx breakdown#bluebolt#vfx breakdowns#brad pitt
March 13, 2017, 01:51 PM
BlueBolt Ltd is a VFX hosue based out of London that specializes in 2D & 3D matte paintings and set extension VFX work. You can view breakdowns from their contribution to Guy Ritchie’s The Man From U.N.C.L.E. which demonstrates exactly that.#guy ritchie#vfx breakdown#bluebolt#the man from u.n.c.l.e.#vfx breakdowns
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2022 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.