A community-driven source for post-production information
March 3, 2016, 03:55 AM
Gordon sits down with DI Colorist John Dowdell to discuss his work for the film Carol at Goldcrest Post, NYC. Carol has been nominated for Best Cinematography at the upcoming Oscars. John has over 200 Features and documentaries listed in his IMDB Filmography. The full transcript is available at aotg.com/cuttingroom.#editor#editing#di#film#film editing#colorist#television#movies#carol#the cutting room#john dowdell
December 17, 2012, 09:20 PM
Hanover/Wellington -- Once again, Clipster is positioning itself at the forefront of post production in New Zealand. Park Road, the renowned company which was involved in Peter Jackson's Lord of the Rings trilogy, has been using the Clipster DI workstation for many years for DCI mastering among other things.#di#workstations#middle earth#48fps
December 14, 2012, 01:22 PM
Discover how to use Assimilate Scratch for your post production needs. These Scratch video tutorials cover the foundations of using this high-end DI app.#di#assimilate#post#tutorials#scratch
December 2, 2012, 04:51 PM
To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time CO3 Santa Monica colorist working out of London, and the two facilities coordinated color science and calibration for an overall consistent look throughout the process.#di#dailies#digital intermediate
November 29, 2012, 08:16 AM
(Santa Clara, California--November 28, 2012) ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows is now shipping the next generation of its SCRATCH® and SCRATCH Lab® products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI...#di#assimilate#integrated tools
November 24, 2012, 09:42 AM
Santa Clara, CA – ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows, is now shipping the next generation of its SCRATCH and SCRATCH Lab products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI sessions, known as Creative DI.#di#scratch#digital intermediate
October 31, 2012, 09:45 AM
Creative DI in Commercials Studio Daily and Assimilate hosted this hour long webinar with Emery Wells, CEO and Founder of Katabatic, who walks through his colour grading, compositing and finishing workflow. Katabatic produces work for clients like Nike, Saturday Night...#di#creative#assimilate#emily wells#ceo#katabatic#color grading
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
Gordon sits down with Michelle Tesoro ACE to discuss her work on The Queen's Gambit.
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