To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colour Grading O Brother Where Art Thou

June 16, 2013, 01:43 AM

http://jonnyelwyn.co.uk/color-grading-and-colour-c...

In this 10 minute behind the scenes featurette from the 2001 classic O Brother Where Art Thou, Roger Deakins and The Coen Brothers take us on a tour of how they achieved the first full feature film digital intermediate.

#digital intermediate#colour grading#o brother where art thou#roger deakins
Skyfall: Dailies/DI from London to California

December 2, 2012, 04:51 PM

http://magazine.creativecow.net/article/skyfall-da...

To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time CO3 Santa Monica colorist working out of London, and the two facilities coordinated color science and calibration for an overall consistent look throughout the process.

#di#dailies#digital intermediate
Assimilate Ships Scratch V7

November 24, 2012, 09:42 AM

http://www.awn.com/news/technology/assimilate-ship...

Santa Clara, CA – ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows, is now shipping the next generation of its SCRATCH and SCRATCH Lab products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI sessions, known as Creative DI.

#di#scratch#digital intermediate

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