It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
January 8, 2013, 08:56 AM
The Alliance of Women Film Journalists (AWFJ), a membership organization of leading women film journalists and critics from across the U.S., Canada and the U.K., has announced the winners of its 7th Annual EDA Awards. Starting with Best Film, “Zero Dark Thirty” swept the AWFJ EDA “Best of” categories with five awards, took another two in the female-centric EDA Focus Awards, and earned its eighth win in the EDA Special Mention section.#editing#award#film editing#awards#william goldenberg#zero dark thirty#dylan tichenor#best editing
December 20, 2012, 03:14 PM
Few films have the potential to be as politically charged as Zero Dark Thirty. Director Kathryn Bigelow (The Hurt Locker, K-19: The Widowmaker) and producer/writer Mark Boal (The Hurt Locker, In the Valley of Elah) have evaded those minefields by focusing on the relentless CIA detective work that led to the finding and killing of Osama bin Laden by U.S. Navy SEALs. Zero Dark Thirty is more of a suspenseful thriller than an action-adventure movie. It seeks to tell a raw, powerful story...#film editor#film editing#william goldenberg#dylan tichenor
December 10, 2012, 08:49 AM
Film editors Dylan Tichenor and William Goldenberg won Best Editing (New Category) for the film Zero Dark Thirty. For the other categories follow the link.#film editor#film editing#william goldenberg#zero dark thirty#dylan tichenor
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