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WandaVision: The VFX secrets by Marvel Studios

April 1, 2021, 09:44 AM

https://www.artofvfx.com/wandavision-the-vfx-secre...

ICYMI, Marvel Studios offers us a insight look with Overall VFX Supervisor Tara DeMarco about creation of the VFX made for WandaVision...

#vfx#marvel#wandavision
How WandaVision’s visual effects gave TV magic a Marvel makeover

March 28, 2021, 12:36 PM

https://www.digitaltrends.com/movies/wandavision-v...

There was a lot of pressure on Marvel’s WandaVision when it premiered in January following a year without any movies or series set in the Marvel Cinematic Universe. The show delivered on those high expectations, though, with one of Marvel’s most unique projects to date.

#vfx#marvel#wandavision
WandaVision: Tara DeMarco – Overall VFX Supervisor – Marvel Studios

March 24, 2021, 08:46 AM

https://www.artofvfx.com/wandavision-tara-demarco-...

Tara DeMarco has over 20 years experience in visual effects as a Flame artist. She worked for over 12 years at The Mill before joining Marvel Studios in 2019. Today she talks to us about her work on WandaVision.

#flame#vfx#mill#marvel#comics
The incredible sound of ‘Avengers: Endgame’:

May 8, 2019, 06:12 AM

https://www.asoundeffect.com/avengers-endgame-soun...

Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:

#sound design#marvel#film sound#avengers endgame
Ep45: Breaking into TV Editing with Mark Hartzell

May 9, 2016, 03:11 PM

http://www.commandeditpodcast.com/blog/breaking-in...

Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?

#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#marvel#entrepreneur#mark hartzell#agent carter
DEADPOOL — The Premiere Pro User Review

February 16, 2016, 06:53 AM

http://www.premierebro.com/blog/deadpool-the-premi...

WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.

#adobe#premiere pro#creative cloud#marvel#deadpool
Dan Lebental on Editing Ant-Man

July 23, 2015, 07:31 AM

http://www.aotg.com/index.php?page=antman

In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now have the podcast transcribed as well so you can now read it or listen to it. Check it out!

#editor#editing#vfx#film#post production#dan lebental#movie#marvel#ant man
CAPTAIN AMERICA: WINTER SOLDIER SOUNDSCAPE PANEL

April 2, 2014, 04:53 PM

https://www.aotg.com/captain-america-winter-soldier-soundscape-panel/

Behind the scenes picture of how the award-winning sound team on Captain America: The Winter Soldier created the soundscape for the Marvel's new blockbuster. Produced in partnership with MPSE. Speakers: Shannon Mills, supervising sound editor/sound designer; Dan Laurie, supervising sound editor; Bruce Markoe, SVP Feature PP, Marvel and Tom Kenny editor, Mix Magazine (moderator).

#soundtrack#sound design#captain america#sound editing#marvel#skywalker sound#soundscape

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