A community-driven source for post-production information
November 20, 2012, 10:46 PM
In part one, I described how tapeless cameras offer a wide choice of codecs, with some also having the ability to output raw and/or uncompressed files. The next step in the workflow is to choose an edit codec and then a delivery codec. The choice of edit codec should be influenced by the delivery codec in order to maximize the video quality.#workflow#codec#optimum
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