It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
March 25, 2021, 08:56 AM
In this special breakdown of visual effects studio Rodeo FX’s work for WandaVision, visual effects supervisor Julien Héry breaks down, with behind the scenes images, the way Wanda’s Hex was created for the show.#vfx#rodeo fx#wandavision#julien hery
February 16, 2016, 09:05 AM
Rodeo FX worked with Jonathan Rothbart, VFX supervisor, and Tim Miller, director, to create the grotesque look and feel of the Ryan Reynold's "Deadpool".#rodeo fx#deadpool
July 7, 2015, 08:12 AM
Rodeo FX worked directly with ILM on the latest Brad Bird movie, Tomorrowland. The Montreal- and L.A.-based VFX studio did digital matte painting, bluescreen compositing, scene enhancements, CG effects, and simulation. The highlight is a thrilling sequence in which the protagonists escape in a rocket-propelled bathtub pod moments before their farmhouse explodes.#vfx#rodeo fx#tomorrowland#george clooney#britt robertson#brad bird
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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