A community-driven source for post-production information
May 2, 2021, 12:44 PM
April 24, 2021, 09:18 AM
April 20, 2021, 08:46 AM
HOLLYWOOD — The Motion Picture Sound Editors (mpse.org) recently presented the 68th Annual MPSE Golden Reel Awards via a virtual, international ceremony. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 22 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.#sound design#mpse#golden reel#george miller
April 13, 2021, 08:54 AM
Studio City, California—This week, the Motion Picture Sound Editors (MPSE) will present George Miller with its annual Filmmaker Award, the organization’s highest honor. The Australian director is being recognized for a diverse body of work that includes Happy Feet (an Academy Award-winner for Best Animated Feature), Babe: A Pig in the City and Lorenzo’s Oil, as well as Mad Max and its three sequels.#sound design#mpse#george miller#mad max fury road
March 25, 2021, 08:52 AM
Praised for its immersive approach to mapping out a drummer’s confrontation with hearing loss, writer-director Darius Marder’s “Sound of Metal,” now contending for six Academy Awards, features a singularly story-driven use of sound.#academy#oscars#sound#sound design#sound of metal#darius marder
March 24, 2021, 08:46 AM
Praised for its immersive approach to mapping out a drummer’s confrontation with hearing loss, writer-director Darius Marder’s “Sound of Metal,” now contending for six Academy Awards, features a singularly story-driven use of sound.#awards#story#academy#oscars#sound#sound design#sound of metal#mexico
November 18, 2020, 08:59 AM
Go behind 'The Queen's Gambit's satisfying sound, the 'Cutting Room 2.0' approach & much more - with sound designer Wylie Stateman and re-recording mixer Eric Hoehn:#sound design#sound effects#the queen's gambit
November 14, 2020, 10:05 AM
Find out how the sound for 'Ratched' was made, covering everything from designing mind-altered states using various editing and mixing techniques, the benefits of mixing a music-dominant soundtrack in Dolby Atmos, to defining spaces with reverb & much more - thanks to Thanks to sound supervisor Gary Megregian and re-recording mixers Joe Earle and Doug Andham:#sound design#netflix#ratched#ratched sound
October 12, 2020, 20:11 PM
Sound designer Jamey Scott takes you behind the sound of Raised by Wolves here, including his approach to sound design as sonic art — how he started from scratch with original sounds, used a sampler to shape the planet’s winds, designed delicate UI sounds, crafted Mother’s array of sounds (from morphing to flying to weaponizing), + much more:#sound design#film sound#audio post#raised by wolves
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In ...
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visi...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal...
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