It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
December 24, 2012, 10:02 AM
In this lesson, Kevin P McAuliffe shows you how simple it is to not only add drop shadows and strokes to your text, but also how to create true 3D extruded text right within the Marquee Interface.#title#media composer#mc6#nle#tool#aivd
November 12, 2012, 05:07 AM
"Ok, I'm drawing a line in the fucking sand. Do NOT read the Latin!" — Marty. A history of violence writ in blood. Millennia of human cruelty billow out into a quiet void: torture, murder, ritual sacrifice, untold suffering, fresh coffee... Huh? The images of savage protocol and hematic ceremony are jarringly replaced by an all too familiar scene: a hot cuppa joe and the morning commute of two government employees.#title#cabin in the woods
November 5, 2012, 09:02 AM
While many cinematic title sequences suffer from a sense of autopilot, the main title for Cirque du Freak: The Vampire's Assistant keeps you guessing. Taking on the thrust of a children’s nightmare, the resulting aesthetic is innocent but deftly tuned with motifs of fear — a surefire way to take the edge off the sweetness.#assistant#title#vfx#visual effects#cirque du freak#vampire
November 1, 2012, 08:34 AM
Reblogged from Alex4D: Editing organazized: The 10.0.6 update added some text editing features for modifying title text. Here they are in action using the Zoom title (from the 'Build In/Out' section of the Titles browser) as an example. If you select the title in the timeline, or if the playhead is over the title, there...#editing#fcpx#final cut pro x#title#final cut pro#fcp#alex4d#zoom
October 31, 2012, 09:38 AM
A staticky hiss, the squeal of a synth, and a television signal struggling to resolve itself. Noticeably absent is that iconic Carpenterian theme, indicating that this will be no ordinary Halloween.#halloween#title#vfx#after effects
October 30, 2012, 10:18 PM
The 10.0.6 update added some text editing features for modifying title text. Here they are in action using the Zoom title (from the 'Build In/Out' section of the Titles browser) as an example.#editing#fcpx#title#editing improvements#zoom#in#out#browser
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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