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March 26, 2019, 12:20 pm
See how powerful AI is when it comes to reducing noise. It works on Android IOS Macs.
March 26, 2019, 11:59 am
In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.
March 26, 2019, 11:59 am
MographPlus shows how to make very realistic skin shaders using Corona Render in Cinema 4D. Plenty of rendering engines are helping to bridge the gap between the uncanny valley and what looks believable. Most of
March 26, 2019, 11:02 am
Get 50% off the Red Giant Shooter Suite; 30% off individual Shooter Suite tools, including PluralEyes 4
March 26, 2019, 10:56 am
Vice President of Technology Tom Turkington to Discuss the Current Landscape of the Traditional UHF Spectrum and Alternative Bands for Production Wireless Equipment
March 26, 2019, 9:59 am
Sigma continues investment in both cinematic and video productions with new high-speed full-frame prime lenses and first look at anticipated L-mount Art lenses
March 26, 2019, 9:07 am
Sennheiser and Neumann to showcase microphone, wireless and monitoring highlights Wedemark/Berlin, March 26, 2019 – Audio for video solutions for every camera type, wireless microphone systems from entry-level to high-end professional, as well as studio monitoring and microphone solutions – at NAB 2019, the portfolio on show from Sennheiser and Neumann reflects the breadth of [...]
March 26, 2019, 9:07 am
Harry Houghton shows how to skin a spring in Maya so that it still looks like it is a rigid element. Springs are tricky to rig. You need to set up compression and stretching so
March 26, 2019, 9:07 am
Apple released an update to Final Cut Pro X thant contains mostly bugfixex, but one important new feature.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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