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April 22, 2019, 6:23 am
LACPUG welcomed Michael Kammes who asked and answers the questions, "Is Post Production Ready for the Cloud?
Can we create media in the cloud and still use the software tools we use every day?"
April 22, 2019, 6:23 am
PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).
April 22, 2019, 6:23 am
In this free video tutorial Pro Tools Expert team member Julian Rodgers looks at the MIDI editor in Pro Tools and specifically on ways to direct keyboard shortcuts to the Edit window or to the docked MIDI editor.
April 22, 2019, 6:23 am
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching classes for Post|Production World. But after walking the show floor several times and talking to a lot of fellow NAB attendees the verdict was a resounding … shoulder shrug. On the post-production side of things by...
The post Random thoughts on NAB 2019, my saddest NAB ever appeared first on ProVideo Coalition.
April 22, 2019, 6:23 am
In a follow up Tweet to my comments about Resolve 16, the Tweeter suggested they could use the Neural Engine to “improve translation of XML from other apps,” which led me to spend a little time (oversimplifying) how we train Machines for Machine learning. There are three approaches: training sets, oppositional training, simple goal. Most […]
April 21, 2019, 7:28 am
Trybooking link: https://www.trybooking.com/book/event?eid=494674
April 21, 2019, 7:28 am
NT Productions shows how you can access a composition from almost any level in After Effects using ExtendScript. There are a lot of ways that you can access compositions throughout After Effects. In his latest
April 21, 2019, 7:28 am
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May Concern, and Dream for an Insomniac. She was also an assistant editor under the legendary editor, Sally Menke, ACE, on the Tarantino Kill Bill films. In addition to her narrative feature film and TV work, she...
The post ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency” appeared first on ProVideo Coalition.
April 20, 2019, 4:58 am
El Consejo Directivo de la Sociedad Argentina de Editores Audiovisuales Asociación Civil, SAE, convoca a lxs asociadxs a la Asamblea General Ordinaria que se celebrará el día sábado 27 de abril de 2019 a las 10:00 horas en el local sito en Juncal 2029 de la Ciudad Autónoma de Buenos Aires...
April 20, 2019, 4:58 am
South Australian Editors! Submit your latest work-in-progress edit, or finished film, TV commercial, corporate, documentary, music video, ANYTHING you have made, to screen at our showcase. Playing on the big screen at the South Australian Film Corporation on June 3rd from 6pm-9pm. You have 10 minutes to play your film, and tell us a little […]
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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