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June 5, 2012, 12:23 pm
Burbank post-production facility FILMLOOK Media and Post recently installed a Baselight color grading system from FilmLight. This new system includes FilmLight's Blackboard 2 control panel. This allows FILMLOOK, for the first time, to provide its television clients -- such as Disney Channel, Fox, CBS, ESPN and HBO -- with color grading services in a file-based...
April 10, 2012, 3:24 pm
MTI Film has added support for the Canon EOS C300 camera to the current version of its Control Dailies digital workflow system. Postproduction facilities and other Control Dailies users can now provide a streamlined workflow for dailies processing and digital deliverables generation to feature film and television productions using Canon's new camera.
April 5, 2012, 2:30 pm
Advertising agency Element 79 recently tapped production company DETOX to help create "Rock the Cut" - an integrated ad campaign for Supercuts. Led by director Barney Miller, DETOX helmed the production, teaming up with HOOLIGAN for editorial and TANQ for graphics and finishing.
April 4, 2012, 3:30 pm
At NAB 2012, FilmLight will introduce FLIP - a new, real-time image processing system that lets the creative production team design looks in pre-production and apply and refine them on set. Employing a Baselight GPU renderer with Truelight Colour Management, FLIP can create and store an unlimited number of pre-set looks and spatial filters which can then be applied and refined in real time on set.
April 4, 2012, 3:27 pm
The Foundry announced that Reliance MediaWorks has purchased a site license of Katana. The licenses will be utilized at Reliance MediaWorks' UK and Mumbai facilities. Working across geographies in this way requires a robust, flexible VFX pipeline and Reliance MediaWorks looked to The Foundry's NUKE and Katana to provide the key building blocks.
April 4, 2012, 3:24 pm
Nice Shoes colorist and partner Chris Ryan recently donated his color-grading expertise to YARNANA - a short film by first-time filmmakers Gina Vecchione and Michelle Price, featuring the otherworldly crochet work of artist Olek.
April 3, 2012, 3:00 pm
In a sign that the negotiations between the Hollywood craft guilds and the studios remain on a positive track, the International Alliance of Theatrical Stage Employees (IATSE) and the Alliance of Motion Picture and Television Producers (AMPTP) are set to return to the bargaining table on April 12 to hammer out a new three-year contract.
April 3, 2012, 3:00 pm
The Hollywood Post Alliance announced the lineup for the Post Pit at the 2012 NAB Show. For the second year, the HPA will program these in-depth presentations held in the Las Vegas Convention Center South Hall (Lower). Over the course of four days, the Post Pit will feature dozens of information-packed 20-minute sessions.
March 29, 2012, 2:55 pm
Academy Award-winning film editor, Chris Innis, (The Hurt Locker), says she is "one of the ladies who would like to make it into that precious 5 percent of working directors who are women." She is crossing the line as producer-writer-director of It Must Be Nice - a short psychodrama based on the story I'm Better than You by the late Henry Slesar who wrote for Alfred Hitchcock Presents.
March 28, 2012, 3:22 pm
Autodesk announced the 2013 versions of its Digital Entertainment Creation (DEC) software and suites, used by VFX artists in film, game development, television and advertising. The new releases improve consistency and interoperability between applications, making it easier for artists to take advantage of new and enhanced creative features.
March 26, 2012, 12:11 pm
Steven Sprung has been a film editor for 15 years, working on a variety of film and television projects. But more recently, he has turned to his lifelong love of directing, an interest which started in high school. But how does a career editor break into the above-the-line heights of directing as a regular vocation?
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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