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June 6, 2012, 11:09 am
iOS devices - specifically the iPad (which just reported that it soared to 68 percent of the tablet market share in Q1 2012) - are becoming increasingly prevalent. Many of the users are buying them for one task: media consumption.
June 6, 2012, 11:09 am
The release of After Effects CS6 is proof that Adobe actually listens to customer requests and stays current with the needs of today's filmmakers, editors, and motion graphics artists. Beyond this release's impressive list of new features, there are much-needed and long-awaited performance improvements...
June 6, 2012, 11:09 am
Yesterday afternoon while I was at the Adobe CS6 roadshow in New York City, the buzz started trickling in about new MacPros coming from Apple next week! This is indeed very exciting news, and something that the Pro Video community has been clamoring and begging for.
June 4, 2012, 2:48 pm
Many video tutorials teach one specific effect or technique. They try to squeeze in as much information as possible in as short a time as possible. They also seem to take it for granted that the viewer already is quite familiar with the software and knows all the basic functions. In Douglas' video tutorials he seldom assumes that the viewer knows anything about the application, unless it is a chapter in a series of Tutorials on a certain topic.
June 2, 2012, 10:41 am
AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, is supporting the new release of Adobe Creative Suite 6 software with AJA's Io Express, Io XT and KONA family of products for both Mac and Windows customers. The new drivers supporting Adobe Creative Suite 6 are available now as a free download.
May 31, 2012, 4:29 pm
So what's going on with the Mac Pro? As has been demonstrated by Apple in recent years, the majority of its income is from iPhones and iPads. They seem to have been ignoring their machine for professionals, the Mac Pro, both on their website and with actual production models. Hopefully they have just been waiting for the Intel 16-core Sandy Bridge Xeon processor, which arrived this May.
May 31, 2012, 12:21 pm
Matrox products have been the I/O hardware of choice for Adobe editors since 1995, offering many workflow advancements over the years. From the first realtime playback, realtime effects, and realtime export engines, to support for Mac and PC laptops and desktops with a single device, Matrox worked hand-in-hand with Adobe over many generations of the Adobe applications to make sure video professionals always had the tools they needed to do their jobs with the utmost creativity and productivity.
May 31, 2012, 6:39 am
As far as teh HD Warrior isam concerned he has four choices when it comes to editing for the rest of 2012... 1. Stay with FCP-7, 2. Move over to FCP-10, 3. Re learn Premiere Pro CS5.5, 4. Start afresh with Premiere Pro CS6
May 30, 2012, 3:01 pm
Adobe Creative Suite 6 software is everything you need to take your productions to virtually any screen. Keep your projects front and center with the sleek, new editing environment in Adobe Premiere Pro CS6, work faster than ever with new performance enhancements in Adobe After Effects CS6, and harness the power of high-speed imaging tools in Adobe Photoshop CS6 Extended. In addition, experience supercharged color grading with Adobe SpeedGrade, and easily log footage with Adobe Prelude.
May 29, 2012, 9:06 pm
Maybe you've been hearing the buzz about the incredibly deep discount we're offering to Final Cut Pro, Media Composer, and Avid Xpress Pro/DV users to get Symphony 6 at over 80 Percent off. You probably know that Media Composer is the professional's choice for video editing but you might be wondering about its big brother, Symphony. Now see how Symphony is just like Media Composer with all of the same tools, features, and workflows of Media Composer, but offers much more.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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