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May 6, 2010, 12:16 pm
The number one thing that I get asked by my readers is "do you have any suggestions for newbie editors?" Well, yes I have many, but my most important suggestion is to read up on your theory. In my relatively short experience in the professional industry I’ve encountered many students and other indie filmmakers who know how to use the tools, but can’t figure out why their films don’t compete well with the same types of films out there using the same tools. I’ve found that most of what those generic film schools/polytechnics lack is a solid theory foundation in its curriculum. It’s one thing to know the tools (Final Cut, Avid, etc); anyone can learn to use the blade tool to cut a scene. But it’s a whole other (much more important) thing to know what to do with them. What will help to make you stand out among the thousands of other "editors" who just bought/downloaded software and learned how to use it? Knowing why you make the cuts you make.
January 18, 2012, 3:00 pm
As an interesting note, it was conveniently blocked by FOX just as the internet is on blackout strike today in solidarity against SOPA. American friends, please be aware that if SOPA passes, videos like this where I attempt to teach about film editing in a fun way will not be available anymore, even if I am in compliance with the Fair Use clause— in fact, I could be shut down, fined, and/or jailed without due process. If you like the internet and the ability to find information freely and easily, please educate yourself about this bill, and do whatever you can to stop it from passing!
September 21, 2011, 4:25 pm
Metropolis is one of the most influential science fiction films of all time, and it's obvious that the editing has a lot to do with it. The expressive nature of the acting is superbly juxtaposed with epically framed shots in such a way that story isn't only easy to follow, but really fun to watch!
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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