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November 19, 2012, 8:06 am
Scholar Alfred Pockran observed that, "A crisis is the sum of intuition and blind spots, a blend of facts noted and facts ignored" in his work Culture, Crisis, and Change - this is the heart of The Andromeda Strain and its emergency. The title sequence gives us the facts, inflicting upon us a prevailing sense of dread, and we intuit, correctly, that despite the reassurances of the preface, something wholly intolerable has happened.
March 10, 2018, 9:50 am
In 2015, we published our first feature article in celebration of International Women’s Day entitled 10 Women of Title Design. We have returned each year since with a new group of 10 women in the title design industry to celebrate. This year, we are ecstatic to present another 10!Here at Art of the Title, our mission is to champion the great work of title designers and all those involved in the craft. The 10 Women of Title Design articles are one of the ways in which we strive towards more...
January 30, 2018, 6:27 am
“We come in peace, that's why we're here. Isn't that the whole idea of Starfleet?” — Michael Burnham
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January 4, 2018, 1:42 pm
The Very Best Title Sequences of 2017, as chosen by Art of the TitleFor our fourth annual list of the year’s top 10 title sequences, Art of the Title’s editors chose from among film, television, video games, web series, and conferences. The Top 10 of 2017 were chosen based on criteria such as originality and innovation, impact, atmosphere, relevance to subject matter, and technique.Paring the long list down from 142 to just 10 was a difficult task, but one done with relish. These title s...
December 15, 2017, 5:26 pm
“It was one of them! It was right there. I'm sure of it...” — Mrs. Driver
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November 23, 2017, 2:41 pm
“You go with the men and you’re 10 feet tall. You go with the lower forms and you are down in the slime.” — Tommy Tyler
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November 15, 2017, 11:08 am
“Everybody spoils me. Nobody loves me.” — Florence 'Cléo' Victoire
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November 1, 2017, 12:56 pm
“Have you ever seen so many gulls? What do you suppose it is?” — Melanie Daniels
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October 12, 2017, 5:44 am
Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
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