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November 27, 2012, 3:02 pm
Earlier this year we reviewed OCZ's flagship Vertex 4 SSD which at the time we were lead to believe was based on a second-generation Everest controller developed in-house. Having acquired IP and assets from Solid Data in 2010 to expand OCZ's controller and interface portfolio, followed by the acquisition of Indilinx, maker of the renowned Barefoot SSD controller, OCZ was in a good position to start working on their own controllers.
March 25, 2010, 12:30 pm
We all knew it was only a matter of time before Adobe delivered the next update to their suite of applications. The launch date has been announced: we can expect Adobe CS5 on Monday, April 12 at 8 am pacific, 11 am eastern.
March 24, 2010, 12:29 pm
Recently I ran across a mind-bendingly irritating glitch in final cut. I was trying to import audio that should be matched to 25fps video into a pal sequence. I absolutely could not get the audio to import at the correct rate (Well, nothing short of doing a speed conversion on it) The audio speed conversion is so hackish that I was afraid to even try it. Even audio exported from fcp would not play back at the correct rate when re-imported to the same sequence!
March 24, 2010, 12:27 pm
Call me slow, but I finally watched Steve Jobs’ iPad keynote last night (it’s now available on Apple’s home page — or here). The iPad looks like it’ll be a very nice way to watch movies or read digital books, and Jobs offered a typically masterful demo of those capabilities.
March 24, 2010, 12:26 pm
We knew it was coming sometime this year and Adobe made the announcement today we will all be able to get a look at Creative Suite 5 on Monday April 12, 2010 8am PDT/11am EDT/5pm CEST. Some sneak peeks are on the site as well as this one on Content Aware Fill which if you do any retouching
March 24, 2010, 12:26 pm
If you want to know what is coming in Creative Suite 5 Production Premium, sign up for our launch event today. While there, take a look at some sneak peek videos that showcase the new Adobe Mercury Playback Engine and Adobe Story.
March 23, 2010, 12:25 pm
So you’ve learned how to edit. You understand the basic concepts of editing. You understand the importance of a sequence. You’ve grasped screen direction. You understand the importance of tight shot. You know the rules, which are more guidelines than rules. So, you want to break some rules?
March 23, 2010, 12:24 pm
Vancouver film editor Julian Clarke has spent much of the last year hunkered down in an editing room in Toronto, working on a new Rachel Weisz film called The Whistleblower. The catch is, it was filmed in Romania. After each day of filming, film cans were sent by Fed-Ex across the Atlantic, where Clarke loaded them into the computer and went to work. "It created a several day delay, which is not ideal," he said...
March 23, 2010, 12:23 pm
I am currently in the "rough cut" phase of my latest show. And this, to me, is the most difficult part. This is where I need to make something out of nothing. Well, not NOTHING, as there is a lot of stuff there that you use. But this is the part of the phase that I need to look at ALL of my somethings, and cull it down and string it out and arrange it in a way to tell a good story.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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