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January 2, 2013, 1:18 pm
The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen — at least according to the predictions of Michael Cioni.
August 7, 2009, 5:12 pm
So the first panel is done. Some of the important information is: <br><br> ACE is making a film about the Moviola Editing Room (You heard right)<br> Don't put ashes on the negative<br> People won't laugh unless their engaged<br> Make as many contacts as possible<br> Don't burn bridges. Their harder to rebuild the second time<br> Keep in touch with your contacts<br> Try to get into the UNION
August 7, 2009, 5:10 pm
Lauren Woodcock (Cutting Room Producer) and I (Gordon Burkell) have landed and we're now trying to find food. The trip was much shorter than the six hours we were told. Mark Livolsi might not be able to be interviewed tomorrow due to a screening. Here's hoping his screening goes well. It's 3:37AM in Toronto and 12:37AM here in LA. Time to find some food and get ready for tomorrow.
August 6, 2009, 5:09 pm
This will be our location for up to the minute news about the LA Edit Fest. In the coming days we'll be documenting the event as well as interviewing editors for the site. The interviews will include: Steven Rosenblum, Malcolm Jamieson, Mark Livolsi, Michael Miller and many more. If you have questions you think should be asked to these editors let us know on Twitter You can also follow the event on twitter through us. As usual you can also leave comments.
August 2, 2009, 5:04 pm
As all the major NLEs continue to develop and claw for market share, their feature sets and capabilities have increasingly become quite similar. The key differences between NLEs, aside from price and "IMHO," are in the interface and workflow design.
August 1, 2009, 5:03 pm
Age can sometimes be an impediment to inspired filmmaking, but Francis Ford Coppola, who recently turned 70, has tackled his latest endeavor with the enthusiasm and creativity of a young film school graduate. The film Tetro opened June 11 in New York and Los Angeles and will enter wider distribution in the weeks that follow. Coppola set up camp in a two-story house in Buenos Aires and much of the film was produced in Argentina. This house became the film’s headquarters for production and post...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
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