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  • AOTG

    Squint/Opera Finds Rendering Edge in PipelineFX’

    January 30, 2013, 8:13 am
    (Los Angeles, California--January 30, 2013) As the world’s appetite for content grows more and more insatiable, creative powerhouses like London’s Squint/Opera are finding their logistical edge in the most logical of places: pipeline management.

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  • Other Postings By Member

    • AOTG
      SOUND

      Foley Artists: How Movie Sound Effects Are Made

      November 13, 2018, 10:57 am
      Foley artists make many of the movie sound effects you hear in your favorite films. Here’s a look at how they do it.

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    • AOTG
      ANIMATION

      3D Filmmaking without a Headset

      November 13, 2018, 10:57 am
      The Looking Glass is the first universal desktop holographic display designed for 3D creators. The display generates 45 simultaneous views of a 3D world at 60 fps. It does not require a VR headset.

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    • AOTG
      VFX

      AMC International Promotions; VFX Firm Artem Ups T

      November 13, 2018, 10:57 am
      AMC Networks International has made a number of executive promotions following the appointment of Eduardo Zulueta as President. Manuel Balsera has been named EVP & MD for AMCNI Southern Europe; Ricardo Debén has been named EVP/MD for AMCNI Latin America; Kevin Dickie has been named EVP/MD for AMCNI UK and Levente Málnay has been named EVP/MD for AMCNI Central and Northern Europe.

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    • The Oath Shot with URSA Mini Pro and Edited with D
      EDITING

      The Oath Shot with URSA Mini Pro and Edited with D

      November 13, 2018, 7:19 am
      The film “The Oath” was shot with several URSA Mini Pro digital film cameras and edited and graded with DaVinci Resolve Studio. I mean who does not love a filmmaker make their story work on a Blackmagic camera.

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    • Eps. 167 Rory McGregor, CEO of CineSync
      VFX

      Eps. 167 Rory McGregor, CEO of CineSync

      November 13, 2018, 7:18 am
      This is Allan McKay. Welcome to Episode 167! I’m speaking with Rory McGregor, the CEO of Cospective, the company that created cineSync which is a platform that’s a backbone of how directors and supervisors in the film and game industry are able to communicate. This is a fun Episode!

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    • AOTG
      SOUND

      Waves Announces the Axis One, a Waves-Optimized Co

      November 12, 2018, 2:55 pm
      (Knoxville, TN--November 12, 2018) Waves Audio, a leading provider of digital signal processing solutions, introduces the Waves Axis One, a Waves-Optimized Computer. Waves Axis One is a standardized computer, custom-designed and optimized to run Waves audio applications. Packed in a road-hardy half-rack 2U case, Axis One is a trustworthy turnkey solution for live sound, broadcast and the studio.

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    • AOTG
      ANIMATION

      Aardman Employees To Receive 75% Ownership Stake

      November 12, 2018, 2:54 pm
      Aardman Animations founders Peter Lord and David Sproxton transfer ownership of the famed Bristol-U.K. stop-motion studio to employees in a bid to retain its independent status.

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    • Vitec Creative Solutions acquires wireless HD vide
      EDITING

      Vitec Creative Solutions acquires wireless HD vide

      November 12, 2018, 2:54 pm
      Amimon, the company whose proprietary technology is found inside many products from Teradek, SmallHD and Paralinx as well as those from other manufacturers, like ARRI was acquired by Vitec.

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    • AOTG
      VFX

      Bleach VFX Breakdown

      November 12, 2018, 10:03 am
      Really cool VFX Breakdown by Digital Frontier about their work on BLEACH:

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    • AOTG
      SOUND

      Is Dolby Dialog Intelligence Still Fit For Netflix

      November 12, 2018, 6:02 am
      Following the resurrection of Dolby’s Dialog Intelligence with the new Netflix delivery specs and best practice recommendations, in this article, we ask whether Dolby’s algorithm is still fit for purpose as a speech-gating solution?

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