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November 14, 2017, 6:10 am
This is Allan McKay. Welcome to Episode 105! I’m speaking with Ruben Mayor, Senior Technical Director at Weta. I’m excited for this one. I’ve known Ruben for I don’t even know how many years. He is a super talented Technical Director who’s worked for places like Mr. X in Toronto, Sony, ImageWorks, Weta and other places.
November 14, 2017, 6:10 am
During our recent webcam chat (watch the exclusive video above), “The Shape of Water” film editor Sidney Wolinsky reveals, I thought it could be interesting, but it looks like a tall order to really pull this off” about reading the script initially. This Cold War era drama directed and co-written by Guillermo Del Toro centers on a mute woman (Sally Hawkins) working as a janitor in a top-secret government lab. She meets and falls in love with a giant fish man (Doug Jones) and helps him escape before he can be dissected by American scientists or Russian spies. The film also stars Michael Shannon, Richard Jenkins, Octavia Spencer, and Michael Stuhlbarg.
November 13, 2017, 6:04 pm
During our recent webcam chat (watch the exclusive video above), composer Alexandre Desplat reveals that upon seeing “The Shape of Water” for the first time, he was “in awe by the beauty of it.” Directed by Guillermo Del Toro, this Cold War era drama centers on a mute woman named Eliza (Sally Hawkins), who works as a maid in a top-secret government lab.
November 13, 2017, 2:40 pm
Andrew Hellen has more than 20 years of experience in the visual effects. He worked at Fuel VFX and Iloura before joining Method Studios. He took care of the effects of films such as IRON MAN 2, GODS OF EGYPT, GHOSTBUSTERS and FANTASTIC BEASTS AND WHERE TO FIND THEM.
November 13, 2017, 10:16 am
Why hello there! It’s been quite some time since I’ve done some After Effects scripting work, and I’ve been a bit MIA in the After Effects community lately. That is mostly due to the 3D transition I have been making over the years, and more so recently. I’ve been diving pretty hardcore into Houdini, Cinema4D, X-Particles, and TurbulenceFD as of late. None of those new by any means for me, but have just been in sharper focus as I push harder and harder to expand my skill set. I’ve even started a new Instagram account to highlight some of the experiments I have been doing. Search for davidtornovfx on Instagram to follow that work. I of course also still have much going up on my Vimeo channel as well.
November 13, 2017, 5:41 am
Pacing can be a difficult concept to wrap your head around. Should your scene unfold quickly or slowly? How do you know when you've nailed it? Are there any guidelines to follow when you're not sure? Well, even though you may have to put a significant amount of trust in your instincts to really get the pacing of your film right, there are a lot of practical things you can do to get it closer to where you want it to be, and Kris Truini of Kriscoart goes over ten of them in the video below.
November 12, 2017, 7:39 am
With more than 40 films to his credit, spanning genres from comedy to suspense and sci-fi, Oscar-winning editor Paul Hirsch has much to offer in counsel to younger filmmakers as he visits Camerimage Film Festival for his award for “unique visual sensitivity.”
November 11, 2017, 8:46 am
First, the original drawing of Johnson the cat, graphite and India ink on notepad paper, 11″ x 14″, by Chuck Jones, circa 1989. Illustration for “Chuck Amuck”, Jones’s autobiography (pg.15). Second, painted version on reproduced line, gouache and India Ink on paper, 11″ x 14″, by Chuck Jones, circa 1989.
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
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