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  • Splice Training

    Splice Training

    August 1, 2008, 3:25 pm
    Canada

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  • Other Postings By Member

    • Red Giant adds new fluids engine to Trapcode Suite
      EDITING

      Red Giant adds new fluids engine to Trapcode Suite

      October 31, 2018, 4:31 am
      Red Giant has released Trapcode Suite 15, the latest version of its suite of motion graphics and VFX plugins for After Effects, adding a new fluid physics engine to the Particular 4 and Form 4 plugins.

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    • AOTG
      SOUND

      Pro Tools - Why You Probably Don't Need To Edit Fa

      October 31, 2018, 4:31 am
      Some of the big differences between Pro Tools and Pro Tools Ultimate software are well known. Most of us understand that surround work is Ultimate only for example. There lots of small differences which aren’t as well understood and one which I want to draw attention to today is Auto Fades.

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    • Red Giant introduces Dynamic Fluids in Trapcode Su
      EDITING

      Red Giant introduces Dynamic Fluids in Trapcode Su

      October 30, 2018, 12:17 pm
      The introduction of Dynamics Fluids in Trapcode Suite 15 means that for the first time ever, artists can create particle systems within After Effects that interact in a realistic fluid environment.

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    • AOTG
      SOUND

      Create Zombie Sound FX

      October 30, 2018, 12:17 pm
      Learn how to create zombie sound effects including terrifying goblin growls, evil grim reaper laughs and bloodcurdling screams using Krotos Simple Monsters, just in time to scare your friends for Halloweeen.

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    • Joe Walker on the Mistake New Editors Make
      EDITING

      Joe Walker on the Mistake New Editors Make

      October 30, 2018, 8:55 am
      I listened to an interview with Joe Walker, Steve McQueen, and Denis Villeneuve go-to editor, who explained his process working with these two directors, that consists in doing a lot of pre-screenings throughout the whole editing to get a chemical feel of how the audience is reacting, and in working with little footage. (Walker called McQueen and Villeneuve “economical” directors who shoot with a single camera 3 to 4 takes, which already lays out a lot of the groundwork for him.)

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    • Joe Walker Talks About Editing Widows
      EDITING

      Joe Walker Talks About Editing Widows

      October 30, 2018, 7:37 am
      Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.

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    • Weta’s Compositing Lead Cameron Smith
      VFX

      Weta’s Compositing Lead Cameron Smith

      October 30, 2018, 6:12 am
      This is Allan McKay. Welcome to Episode 165! I’m speaking to Cameron Smith, the Lead Compositor who has worked for ILM as well as other studios. I’m really excited about this one! Cameron is an old friend of mine. In this Episode, we backtrack through our careers a bit. Fifteen years is a long and successful career! Cameron shares his insight on how to achieve that. This is a really fun Episode.

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    • AOTG
      EDITING

      Shutterstock Third Quarter Reports

      October 30, 2018, 6:05 am
      NEW YORK, Oct. 30, 2018 /PRNewswire/ -- Shutterstock, Inc. (NYSE: SSTK) (the "Company"), a leading global technology company offering high-quality assets, tools and services through its creative platform, today announced financial results for the third quarter ended September 30, 2018.

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    • AOTG
      EDITING

      Why You Should Keep Your Discarded Footage

      October 30, 2018, 6:05 am
      I’m sure you’re familiar with the scene of a writer penning his next novel, only to feel his words aren’t telling the story he wants so he scrunches the page into a ball and throws it across the room. A similar scene exists for digital filmmakers, but instead, it involves dragging poorly shot footage to recycle bin.

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    • AOTG
      EDITING

      Editors Guild’s Cathy Repola Reacts After Axing

      October 30, 2018, 6:05 am
      EXCLUSIVE: IATSE international president Matt Loeb has unceremoniously booted Cathy Repola off the board of directors of the union’s pension and health plans after she tangled with him over the ratification of the union’s new film and TV contract.

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