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November 8, 2010, 11:03 am
Something I hear over and over in conversations about DSLRs, particularly with photographers, is that people know bugger all about editing. I don’t care how gorgeous your footage is, and I’ve taken flak for saying this on Twitter, but videos, unlike photos, take place over time, and as a result, your skill as a filmmaker is about how you repay people for the time they elect to give you. Never, ever, forget that. This is why editors wield so much power.
April 22, 2017, 6:58 am
ne astronaut’s journey through space and life ends on a hostile exosolar planet. Grounded is a metaphorical account of the experience, inviting unique interpretation and reflection by the viewer. Themes of aging, inheritance, paternal approval, cyclic trajectories, and behaviors passed on through generations are explored against an ethereal backdrop.”
April 21, 2017, 10:44 am
When you’re shooting there are some times that you simply cannot get that tight close up or two shot to capture the audio with your shotgun. You could go wireless, like with the RODE Filmmaker or News shooter kit, but what if you’re needing to capture a wider range of audio from a distance? That’s where the Sound Shark Parabolic Microphone comes in handy.
April 20, 2017, 5:02 pm
Steve Miller, not that one, is a long time friend and fellow editor. Although we kid each other all the time because of our choice of tools we prefer to use, I have the utmost respect for Steve’s take on the technology we use on a day to day basis. In this episode we’ll discuss the “State of the Mac” as well as, laptops, desktops, mice, and even eGPU boxes.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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