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November 16, 2010, 10:03 am
A funny thing happened on the way to this episode of Final Cut Pro Insider. As you may recall, the last episode detailed the results of an extensive visit to iTunes, where I downloaded and analyzed about 50 files, and presented strategies for producing podcasts for the increasingly diverse range of iDevices. This episode was going to cover device presets in Apple Compressor, Sorenson Media Squeeze, and Telestream Episode. I hope this doesn't cause any riots in the heartland, but I'm going to...
July 9, 2009, 4:04 pm
"3-D is easy. Just remember to do everything––perfectly––twice," jokes picture editor Ed W. Marsh. At the Producers Guild of America’s recent "Produced By" event, a visionary imaging and entertainment conference held at Sony Pictures Studios in June, Marsh joined a panel of 3-D experts representing every step of the stereoscopic workflow. The panel, titled "A New Dimension," offered a wealth of advice for 3-D producers on team-building, as well as demos of products and techniques...
July 9, 2009, 4:04 pm
A Classifieds section has been added. We've received many emails about posting things directly onto the Art of the Guillotine Main Page. Instead we revived the classifieds section. If you want to buy something, sell something, look for work, post a job etc. You can do it there. Realize we are not responsible for what is posted there and who contacts you.
July 8, 2009, 4:01 pm
For a film editor it is a cause for frequent amusement and/or irritation, that film reviewers are never able to point out the editor's contribution. If a film is described as very effectively cut but otherwise long and boring, the editor knows that the film may have contained conspicuous transitions of scenes that were invented during the shooting or in the scriptwriting, but that the editing was ineffective or even sloppy.
July 7, 2009, 3:59 pm
In June, Cine Gear Expo returned to Paramount Studios, site of the trade show’s first outing 13 years ago. As part of the event––which included hundreds of exhibitors and thousands of attendees lining Paramount’s New York Street, a series of master class and premiere seminars as well as a film series––the American Cinema Editors (ACE) presented "A Cut Above," on Stage 12, a panel discussion with leading editors (Maryann Brandon, A.C.E.; Mark Goldblatt, A.C.E.; Tina Hirsch, A.C.E...
July 6, 2009, 3:59 pm
Avid announced today that its wide array of audio and video solutions meet the American Recovery and Reinvestment Act of 2009 (ARRA) funding guidelines for education and training. Configured to address the respective skill and grade level of students ranging from elementary school through college, Avid is offering three new highly-customizable solutions: Avid Audio Recording Studio, Avid Film Production Lab and Avid Television and Video Production Studio. The solutions are available to...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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