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December 7, 2010, 3:03 pm
Another Fantastic night at the ASE Awards this year. Congratulations to all the nominees, winners and accreditations.
Winners and Recipients of 2010 Accreditations on Stage
WINNERS
Avid Award for Best Editing in a Feature Film
Dany Cooper ASE for Beneath Hill 60
The Lab Award for Best Editing in a Television Drama
James Manche ASE for Packed to the Rafters, Ep 44
Best Editing in a Documentary
Andrew Arestides ASE for My Asian Heart
Best Editing in a Television Non-Drama
Fiona Strain ASE for Whatever: The Science of Teens, Ep 4 - Moods
Best Editing in a Commercial
Peter Whitmore ASE - ANZ - The Chase
Best Editing in a Short FIlm
Adrian Chiarella for The Love Song of Iskra Prufrock
Best Editing in a Music Video
Katie Hinsen for Goin' Home
ACCREDITATIONS
Harriet Clutterbuck ASE
Michael J Hagan ASE
Lindi Harrison ASE
September 25, 2017, 11:44 am
othing’s worse than lazy titles. Minimalist titles, maximalist titles – anything’s better than someone slapping some semi-opaque words down over the first scene of the movie or TV show.
September 25, 2017, 4:35 am
Developed in cooperation with AJA, the Avid Artist DNxIV is a smaller and more portable version of the Avid Artist DNxIQ rack unit announced earlier this year. It features a number of inputs and outputs for both video and audio, such as 12G SDI, HDMI, analogue audio input, and audio output for 5.1 or 7.1 surround monitoring.
September 25, 2017, 4:35 am
How do you tell a story? If you're a filmmaker you know that you have so much more than the written word at your disposal. You have dialogue, camera movement, framing, costuming, set design, and editing all there waiting to inform and entertain your audience. But there is one very powerful narrative element that should never go unnoticed on any film production: color.
September 24, 2017, 5:53 pm
If you've spent any time in Adobe After Effects, chances are you've played around with the Echo effect, which basically just stacks frames from different times in the layer to create "streaking" or "ghosting." This produces some pretty cool looking images, but if you want it to affect something specific, you'll need to know how to isolate and apply it to a single part of your frame or a specific object.
September 23, 2017, 8:36 am
This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible – Rogue Nation. Hamilton’s other previous work includes co-editing Kick-Ass with Oscar-winner, Pietro Scalia, ACE, and editing X-Men: First Class among many others.
September 22, 2017, 4:19 pm
Here is the VFX Breakdown by Mr. X about their work on the episode 419 of VIKINGS...
September 22, 2017, 9:08 am
BWIN “THE RACE”: MAKING OF BY GLASSWORKS
September 22, 2017, 5:16 am
Houdini 16’s new terrain tools are built on heightfields. Heightfields in Houdini are groups of 2D volumes displayed in the viewport and at render time, as a distorted grid. In this masterclass, we delve into what these are, and how you can use them beyond terrains.
September 22, 2017, 5:16 am
Create a Text Reveal Motion Graphic in Blender: Part 1
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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