Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
December 7, 2010, 3:03 pm
Another Fantastic night at the ASE Awards this year. Congratulations to all the nominees, winners and accreditations.
Winners and Recipients of 2010 Accreditations on Stage
WINNERS
Avid Award for Best Editing in a Feature Film
Dany Cooper ASE for Beneath Hill 60
The Lab Award for Best Editing in a Television Drama
James Manche ASE for Packed to the Rafters, Ep 44
Best Editing in a Documentary
Andrew Arestides ASE for My Asian Heart
Best Editing in a Television Non-Drama
Fiona Strain ASE for Whatever: The Science of Teens, Ep 4 - Moods
Best Editing in a Commercial
Peter Whitmore ASE - ANZ - The Chase
Best Editing in a Short FIlm
Adrian Chiarella for The Love Song of Iskra Prufrock
Best Editing in a Music Video
Katie Hinsen for Goin' Home
ACCREDITATIONS
Harriet Clutterbuck ASE
Michael J Hagan ASE
Lindi Harrison ASE
July 20, 2017, 5:47 am
Encore VFX – Visual effects breakdown for “The Flash” episode 313. VFX by Deluxe’s Encore and supervised by Armen Kevorkian.
July 20, 2017, 5:47 am
Encore VFX – Visual effects breakdown for “Supergirl” episode 221. VFX by Deluxe’s Encore and supervised by Armen Kevorkian.
July 20, 2017, 5:47 am
Introducing V-RAYforC4D 3.4. Check out its quality images with no settings, the brand new improved materials and shaders, the new built-in special effects, the accurate lights and improved GI and the blazing fast rendering speed.
July 20, 2017, 5:47 am
The Blender Foundation has released a test build of Blender 2.79: a near-final public version of the next update to the open-source 3D modelling and animation software.
July 19, 2017, 4:06 pm
One of the toughest things about covering visual effects can be getting great VFX imagery to display with a story. There’s often a lengthy approvals process, and sometimes film and TV distributors just want to keep certain things under wraps. That can make it hard to produce interesting stories; in visual effects, behind the scenes images and videos tell so much of the process.
July 19, 2017, 4:06 pm
I started using DaVinci Resolve in 2005. It was a $300,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install. In 2006 I met with Mike Seymour and John Montgomery, who said they were thinking of opening an online university. They asked me if I would like to be their professor of color. I didn’t really have any ideas of the specifics, but being keen to try different things I jumped at the chance.
July 19, 2017, 9:48 am
The best car chase scenes, like bridges in classic songs, move viewers from one part of a film to another. Rather than being merely vehicles to fill otherwise unassigned screen time, they can tell audiences a lot about the inner workings of the movie you're making.
July 19, 2017, 9:48 am
Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.
July 19, 2017, 9:48 am
The first time Scott Stokdyk worked for Luc Besson back in 1995, the French auteur hired him to work on his then-groundbreaking sci-fi flick The Fifth Element. "At that time I was just this computer artist sitting at a work station for fourteen hours a day in a little dark cubicle excited to be working in the world of film,” says Scott. Since then, visual effects have made gargantuan advances, and so has Scott. He won an Oscar for his work on Spider-Man 2 and made munchkins for Oz The Great and Powerful.
July 19, 2017, 5:34 am
The nominees for the animago AWARD 2017 have been announced.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.