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December 7, 2010, 3:03 pm
Another Fantastic night at the ASE Awards this year. Congratulations to all the nominees, winners and accreditations.
Winners and Recipients of 2010 Accreditations on Stage
WINNERS
Avid Award for Best Editing in a Feature Film
Dany Cooper ASE for Beneath Hill 60
The Lab Award for Best Editing in a Television Drama
James Manche ASE for Packed to the Rafters, Ep 44
Best Editing in a Documentary
Andrew Arestides ASE for My Asian Heart
Best Editing in a Television Non-Drama
Fiona Strain ASE for Whatever: The Science of Teens, Ep 4 - Moods
Best Editing in a Commercial
Peter Whitmore ASE - ANZ - The Chase
Best Editing in a Short FIlm
Adrian Chiarella for The Love Song of Iskra Prufrock
Best Editing in a Music Video
Katie Hinsen for Goin' Home
ACCREDITATIONS
Harriet Clutterbuck ASE
Michael J Hagan ASE
Lindi Harrison ASE
September 30, 2020, 11:39 am
LOS ANGELES -- Ghost VFX has announced the opening of their newest studio location in Vancouver B.C., a known hub of visual effects and animation. The company already has studios in Los Angeles, Copenhagen, London, and Manchester. This is one step in the VFX house’s expansion plan; they have also named Gillian Pearson as lead studio manager. In her new capacity, Pearson will oversee the day-to-day operations including recruiting a new team of top-tier talent, and overall studio management. The new Vancouver state-of-the-art facility will solidify the company’s global footprint.
September 30, 2020, 11:39 am
When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic The Eight Hundred, he had little inkling the project would end up consuming the next two and a half years of his life.
September 30, 2020, 11:38 am
Korey Pereira whose Dolby Atmos upgrade we featured had to replace his Pro Tools computer in a hurry when his cheese-grater failed unexpectedly. This is the story of what he chose to replace it with so that he could continue working in audio post-production and Dolby Atmos.
September 29, 2020, 4:13 pm
Image Engine have posted a VFX breakdown for Mulan.
September 29, 2020, 4:12 pm
You don't even need to open your eyes to know when you're watching an Edgar Wright film. The auteur uses sound in such an advantageous way that it propels the story without the audience even recognizing it's there. His movies are layered in rich sound design that is not cacophonous, but instead, moves to the rhythm of the visuals. As much as we pay attention to David Fincher's decisions behind every camera movement, Wright is an aficionado when it comes to understanding how sound can influence story.
September 29, 2020, 4:12 pm
In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.
September 29, 2020, 11:05 am
Looking for a couple of hours of practical effects and models and miniatures interviews? Then don’t miss director, producer and model maker Berton Pierce’s YouTube channel, which has a whole bunch of segments, excerpts and bonus pieces from his Sense of Scale documentary.
September 29, 2020, 11:05 am
William Kaplan who has over 106 credits to his name will be honored by the Cinema Audio Society with its highest accolade, a Career Achievement Award.
September 29, 2020, 11:05 am
For The Drew Barrymore Show, a set-up established by CBS VFX allows Barrymore to appear on a dynamic set in New York City while her guests appear in real-time from a secure set in Los Angeles. You can see the set-up below, and check out a clip of the show for how the final product looks.
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
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