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December 7, 2010, 3:03 pm
Another Fantastic night at the ASE Awards this year. Congratulations to all the nominees, winners and accreditations.
Winners and Recipients of 2010 Accreditations on Stage
WINNERS
Avid Award for Best Editing in a Feature Film
Dany Cooper ASE for Beneath Hill 60
The Lab Award for Best Editing in a Television Drama
James Manche ASE for Packed to the Rafters, Ep 44
Best Editing in a Documentary
Andrew Arestides ASE for My Asian Heart
Best Editing in a Television Non-Drama
Fiona Strain ASE for Whatever: The Science of Teens, Ep 4 - Moods
Best Editing in a Commercial
Peter Whitmore ASE - ANZ - The Chase
Best Editing in a Short FIlm
Adrian Chiarella for The Love Song of Iskra Prufrock
Best Editing in a Music Video
Katie Hinsen for Goin' Home
ACCREDITATIONS
Harriet Clutterbuck ASE
Michael J Hagan ASE
Lindi Harrison ASE
May 22, 2017, 2:28 pm
TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!
May 22, 2017, 2:28 pm
Takes a close listen to the sounds of Blade Runner and you might find they're even more integral to the film than you thought.
May 22, 2017, 2:28 pm
Argunov Studio presents their nice work made for THE SPACEWALKER (VREMYA PERVYH)...
May 22, 2017, 2:28 pm
This week on A Sound Effect, we have easily-recognizable recordings and emotive drones you just can’t put your finger on. You’ll hear the growl and buzz of cruisers and motocross racers, the rhythmic footsteps of jogging on a treadmill, kitchen appliance foley, Americans protesting in Los Angeles, and UI sounds from futuristic devices. You’ll also experience creepy, complex atmospheres and distortions that were creatively recorded from drum and guitar effects. Whether you need an abstract mood or one with a very clear opinion, there are lots of sounds to experience in this recap!
May 22, 2017, 3:43 am
HHB Communications and its Soho-based, post-focused division Scrub have been named Avid’s EMEA Audio Top Channel Partner for 2016.
May 22, 2017, 3:42 am
Nugen Audio is previewing a significant technological update for its award-winning Halo Upmix plugin at AES Berlin.
May 22, 2017, 3:42 am
In most cases, indie filmmakers don't have the budget to hire someone to score their films. This means that you miss out on the benefit of having a score specifically designed to match what's going on up on screen, so you will have to figure out a way to do it with a piece of music that already exists. Though this is challenging, Kris Truini gives you a few helpful tips on how to pull it off, even if you don't have much experience working with music, scores, and soundtracks.
May 22, 2017, 3:42 am
There are many polarizing debates in the world of technology and video editing, and software is no exception. Final Cut Pro X and Adobe Premiere Pro are some of the most popular tools for the job and therefore both have their diehard fans. But if you want to make an objective decision about which to use yourself, what are some factors you should consider?
May 21, 2017, 2:23 pm
As Ridley Scott’s Alien: Covenant from Fox debuted to $36 million at the North American box office, the film’s visual effects supervisor Charley Henley of lead VFX house MPC says his first meeting with the director was "fairly overwhelming, he has a lot of art and you could see the scale of the film.
May 21, 2017, 2:23 pm
Dive into the world of VFX and animation as we take you into the minds of our experienced panellists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.
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