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January 25, 2011, 11:16 am
Since 2004, Harry B. Miller III has conducted an informal annual survey of his colleagues in the American Cinema Editors to determine what equipment and technology they use in the editing room, the camera original and delivery format of editors' projects and how they're finished. While the results of 2009-10's 130-respondent survey are not yet complete, they presently show Apple's Final Cut growing steadily from around 12% use in 2004 to about 20%, and Avid Technology platforms holding steady,
November 22, 2017, 7:04 am
Image-engine – Kathryn Bigelow’s Detroit is a period piece pressure cooker. Viewers are plunged into the furnace of the infamous 1967 12th Street Riot, and the racially charged Algiers Motel incident stokes the narrative flame. From this central point the film unfolds. Bigelow encloses her tight-knit drama in the chaos of civil upheaval, gradually building an oppressive story of dark deeds.
November 21, 2017, 1:58 pm
John Lasseter, the architect of Pixar and Disney’s juggernaut animation operations, is taking a leave of absence from his post effective immediately. He holds the title Chief Creative Officer of Walt Disney and Pixar Animation Studios, and Principal Creative Advisor for Walt Disney Imagineering.
November 21, 2017, 1:57 pm
irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.
November 21, 2017, 11:27 am
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.
November 21, 2017, 11:19 am
Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.
November 21, 2017, 6:03 am
When Valerian and the City of a Thousand Planets was released, I got the opportunity to talk to both overall VFX supe Scott Stokdyk and ILM supervisor Philippe Rebours about the Big Market sequence. Now with the film set for home entertainment release, there’s a snippet of one of the featurettes available on the Big Market sequence.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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