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May 15, 2009, 1:31 pm
Crazy Heart, a recently completed low-budget indie feature, marks the feature film directing debut of actor and writer Scott Cooper. It also features a rarely tried, cost-efficient post-production workflow that provided some challenges for editor John Axelrad and first assistant editor Tom Cross. Shot in and around Santa Fe, New Mexico, Crazy Heart stars Jeff Bridges, Maggie Gyllenhall, Colin Farrell and Robert Duvall. The Tender Mercies-like plot (enhanced by the presence of that 1981...
May 23, 2010, 4:50 pm
Join the FCPUG Network, including FCPUGs and digital video user groups from within the US, Canada and the world over in Boston for the largest gathering of FCP, Avid and Adobe editors, HD-DSLR filmmakers and digital content creators and Gurus on the East Coast in 2010! Digital Filmmakers: "Get Seen" by showing your films in Open Screen Theatre and Pitch Your REEL to hiring local production and post houses and companies in search of creatives!
May 22, 2010, 4:50 pm
While the story may be a folksy one, the technology and post-production magic required to bring this timeless tale to the big screen in the 21st century was a massive undertaking.
May 21, 2010, 4:49 pm
For this piece, we’ll take a look at using the new Ultra Keyer in Premiere Pro with some Canon 7D footage. What’s great about this is the fact that the green screen was unevenly lit, and with minimal effort, I’m able to pull a rather impressive key, literally in seconds.
May 21, 2010, 4:48 pm
Following a turbulent year in the global economy, many industries have been forced to look long and hard at their operation strategies and practices in hopes of saving more and spending with more caution.
May 20, 2010, 4:46 pm
Ever set up your project to work in 16 or 32-bit float, and you then apply an effect, only to get into the effects window to find that the effect only supports 8-bit? Annoying isn’t it? Wouldn’t you love to know what bit depth the effect supports before you drop it onto your clip? Well, now you can!
May 20, 2010, 4:45 pm
After all this hype that has been circulating about FCP being dumbed down for only the prosumer and not the professional video editor, what will FCP have to offer you in order to stay as popular as it is? Whether people switch to Avid or even Premiere (watching another production company nearby use the CS5 AE to Premiere to AE features are pretty cool) is another question on its own...
May 20, 2010, 4:44 pm
Sorry for the lack of updates in a while but work has kept myself and Nate very busy and away from the site. Updates and news for now is the site will be going through a new look and update shortly so be on the look out for that . On the RED front Epic/Tattoo program should be going into full swing shortly and we should see some footage coming out testers in the not to distant future.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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