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February 25, 2010, 11:22 am
Working in the editorial department on Alice in Wonderland, JC Bond was the point of first contact for principal photography, assembling scenes as quickly as director Tim Burton could shoot them. He was also the gatekeeper for the film's extensive visual-effects content, which he received and analyzed before it was cut into the movie. Working on a team led by film editor Chris Lebenzon, Bond made sure thousands of pieces of content fell into place as expected in the editorial pipeline...
February 25, 2010, 11:16 am
Here are my answers to the 5 questions that I read on PostFifthPictures.com. If there are more, just let me know. In some cases I should call the VIZ FX team...but I will give this a shot, first. If you have any questions about my answers, please let me know. -Daryl Baskin
February 24, 2010, 9:36 am
When you talk about media management in Final Cut Pro it’s often not a big issue to many as you digitize a few tapes or import some P2 media, add graphics, music and you’re done. FCP’s bad media management never rears its ugly head. But when you start working with many different clips across a lot of hard drives then the frustration...
February 23, 2010, 9:34 am
Being organized from start to finish is KEY to working quickly. While you think that it is time wasted that you could spend shooting/editing/whathaveyou...it really is the secret behind working efficiently, and smartly.
February 23, 2010, 9:33 am
Grass Valley has announced that freelance editor Frank Aldana won its "Cut And Win" contest. The competition challenged editors to produce and edit a commercial highlighting the features and capabilities of Grass Valley’s Edius realtime nonlinear editing software.
February 22, 2010, 9:32 am
While attending my last semester at BYU Media Arts/Film school in 2006, I wrote this paper as a part of the Film Theory class. On our final test we had to remember 30 of the 32 class member presentations. Mine was not on the final due, what I believe, to the goofy title and how easy it was to remember to connect to the summary.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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