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  • Lauren's Render Files Eps. 4

    Lauren's Render Files Eps. 4

    July 11, 2011, 4:39 pm
    Lauren and Gordon discuss FWFR, Gordon interviews the founder of the Four Word Film Review and we prep for LA's Tea Time This week we sum up...

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  • Other Postings By Member

    • AOTG
      EDITING

      Media 100 Editing Suite With Boris RED 5 Now Free

      March 28, 2017, 7:03 pm
      When I wrote my first short film we shot it in two weeks and then cut it with Media 100. I had never heard of this editing suite at the time, but our director swore by it, and the ability to do professional grade editing, with special effects and mixed media was pretty cool. But it wasn’t cheap either back in 1999. But now, in 2017, Boris FX, in partnership with MacVideo Promo, have made Media 100 for the Mac free. That’s right. FREE.

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    • AOTG
      SOUND

      THX Launches Rigorous Mobile Certification Program

      March 28, 2017, 9:22 am
      SAN FRANCISCO, March 28, 2017 /PRNewswire/ -- THX Ltd., in striving to uphold the highest audio-visual standards, has announced the creation of a new THX® Mobile Certification program for smartphones, tablets, and laptops. Esteemed as a prominent leader in certification of world-class cinemas and consumer electronics, THX recognizes that display and audio settings are key to presenting images and sounds as the creator intended; this new program will provide the highest audio-visual standards possible. THX recently certified the first device under this program, the new, state-of-the-art Razer Blade Pro – Razer's most powerful laptop to date.

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    • Why SNL Editor Recommends Insane Deadlines
      EDITING

      Why SNL Editor Recommends Insane Deadlines

      March 28, 2017, 5:43 am
      As the editor for the Saturday Night Live Film Unit, Adam Epstein’s regular schedule is as hectic as it gets. Adam started at SNL in 2009 and has spent the last eight years feeding off that fast-paced energy to hone his skills and develop extremely efficient workflows. In Adam’s case, he had no choice but to adapt, but as he explains, you don’t have to work at SNL to develop these skills.

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    • GSG Podcast Eps 56 - It's Almost April, Fools
      VFX

      GSG Podcast Eps 56 - It's Almost April, Fools

      March 28, 2017, 5:42 am
      In this episode, the group discusses some of their favorite pranks over the years and gives a few tips in the spirit of April Fools.

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    • Eye candy: Autodesk’s 2017 VFX reel
      VFX

      Eye candy: Autodesk’s 2017 VFX reel

      March 28, 2017, 5:42 am
      Autodesk has just posted its latest visual effects showreel, showcasing some of the best recent projects on which tools like Maya, 3ds Max and Flame have been used.

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    • AOTG
      VFX

      The VFX Tools Behind the King of the Jungle

      March 28, 2017, 5:42 am
      King Kong films hold a special distinction in the annals of cinema. Each new entry in the series often sets a new high-water mark for movie making special effects. Mike Seymour breaks down some the techniques used in ‘Kong: Skull Island,’ one of the most visually impressive films to date.

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    • Game of Thrones Teaser FX Breakdown
      VFX

      Game of Thrones Teaser FX Breakdown

      March 28, 2017, 5:42 am
      Josh Clos – I worked with the awesome team at Bigstar (bgstr.com) on this teaser for Game of Thrones. As a Game of Thrones fan it was really satisfying to work on and as an FX Artist, it was an amazing opportunity.

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    • AOTG
      VFX

      CGI & VFX Breakdowns:

      March 28, 2017, 5:42 am
      Enjoy the insightful and amazing VFX Breakdown work for the film "Terminator Genisys" by the talented team at MPC! MPC's work included recreating a ‘young Arnold’ T-800 digital character, Endoskeletons, an explosive battle at LAX, various CG set extensions and FX work.

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    • AOTG
      VFX

      Adobe AI technique might kill the green-screen

      March 27, 2017, 5:41 pm
      Researchers at Adobe have collaborated with the Beckman Institute for Advanced Science and Technology to develop a new system, based on deep convolutional neural networks, which can extract foreground content from its background intelligently and accurately – and with no need for the blue/green-screen techniques which have dominated cinema for nearly a century.

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    • CG Garage Podcast #115 | Jeff White – ILM
      VFX

      CG Garage Podcast #115 | Jeff White – ILM

      March 27, 2017, 5:41 pm
      Iconic monster with a heart of gold Kong is back on the big screens in “Kong: Skull Island”—and this time he’s bigger than ever. For this podcast, Chris managed to tempt Jeff White, the movie’s visual effects supervisor, away from wrangling enormous creatures and into talking about how exactly his team brought Kong to life.

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