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January 18, 2010, 8:07 am
My current project is a feature documentary with about one hundred hours of footage, all completely tapeless. We have P2 media from hard-drives, originally shot on the HVX-200A and HPX-500, along with quicktime files shot on the Canon 5D. It sucked, not because the hardware and software couldn't handle it, but because no one on the project (including me) knew how to adjust our tape-based sensibilities into a tapeless environment.
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