October 12, 2012, 07:44 AM
http://www.studiodaily.com/2012/10/a-new-season-fo...
Ask Adam Epstein to name the toughest part of his editorial and motion graphics workflow for Saturday Night Live's Film Unit and he will tell you, unequivocally, that the intense 24-hour edit sessions preceding the live show are actually a lot of fun. It has to help that Epstein, a freelance editor, has been working this crazy routine for the past three years at SNL's storied studios in 30 Rockefeller Center, cutting the mock commercial spots that appear between live skits for film segment...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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