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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

3 Simple Ways to Stop Endless Video Revision Reque

August 25, 2016, 04:31 AM

http://www.premiumbeat.com/blog/how-to-stop-video-...

Revisions can be a pain equally felt by video editors, motion designers, VFX artists and colorists. Here are some tips on limiting endless video revision requests so you can get to work on your next project.

Behind the VFX of Suicide Squad

August 22, 2016, 09:27 AM

http://www.premiumbeat.com/blog/behind-vfx-suicide...

MPC shows off stunning before and after images of their VFX work with Harley Quinn, Joker, Batman, and the Suicide Squad.

How The Empire Strikes Back Perfected Blue Screen

July 19, 2016, 09:17 AM

http://www.premiumbeat.com/blog/how-the-empire-str...

Cinematographer Mark Vargo breaks down his work on The Empire Strikes Back and discusses how ILM perfected blue-screen processing in the 1980s.

How an Average VFX Pipeline Works

May 24, 2016, 12:42 PM

http://www.premiumbeat.com/blog/how-an-average-vfx...

These are the steps that take Hollywood films from the green screen to the big screen.

Make Your Project Stand Out With 3D Titles in Fina

April 21, 2016, 09:28 AM

http://www.premiumbeat.com/blog/make-your-project-...

Learn the trick to creating monumental 3d titles in Final Cut Pro X. Master the technique with FREE stock footage and music from Shutterstock and PremiumBeat.

NAB 2016: Big News for Virtual Reality and 360-Deg

April 19, 2016, 01:24 PM

http://www.premiumbeat.com/blog/nab-2016-big-news-...

Virtual reality and 360-degree video are the talk of NAB 2016. Here's what everyone is buzzing about.

Become a Master of Blending Modes in Final Cut Pro

April 18, 2016, 11:45 AM

http://www.premiumbeat.com/blog/become-a-master-of...

Add quick stylization to your video projects with blending modes in Final Cut Pro X. Learn the technique with FREE stock footage and music from Shutterstock and PremiumBeat.

The 9 Best Places to Find Motion Design Inspiratio

April 6, 2016, 09:41 AM

http://www.premiumbeat.com/blog/9-best-places-for-...

Need motion design inspiration? Here are nine websites that will stoke your creative fires!

How to Create Stunning Hyperlapse Videos

March 11, 2016, 01:22 PM

http://www.premiumbeat.com/blog/how-to-create-stun...

Hyperlapse videos are compelling, eye-catching, and popular. Here's how to create your own stunning hyperlapse footage.

Achieving a Super 16mm Film Look When Shooting Dig

January 18, 2016, 10:12 AM

http://www.premiumbeat.com/blog/achieving-a-super-...

Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the S16 look when shooting on a digital cinema camera.

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