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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Captain Marvel VFX Supervisor Interview

April 11, 2019, 10:11 AM

https://www.artofvfx.com/captain-marvel-nick-crew-...

Last year, Nick Crew explained the work of Scanline VFX on TOMB RAIDER. He then worked on THE MEG.

Captain Marvel VFX Supervisor Interview

April 10, 2019, 09:22 AM

https://www.artofvfx.com/captain-marvel-dave-hodgi...

In 2017, Dave Hodgins explained the work of Digital Domain on THOR: RAGNAROK. He talks to us today about CAPTAIN MARVEL.

Create Eye-Catching Fluid Animations in AE

April 10, 2019, 06:10 AM

https://www.rocketstock.com/blog/create-fluid-anim...

If you’re looking for an effect to add eye-catching visuals to your footage, you’re in the right place. Whether you use it for a brand video or just for fun, this fluid animation will definitely bring a new dynamic to your project. The great part is that it’s relatively simple, involving only a few layers and one mask. Your audience will be hooked when the organic shape flows across your screen.

Captain Marvel: Christian Kaestner

April 9, 2019, 10:14 AM

https://www.artofvfx.com/captain-marvel-christian-...

In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.

Captain Marvel's VFX Super Interview

April 8, 2019, 11:42 AM

https://www.artofvfx.com/captain-marvel-paul-butte...

In 2017, Paul Butterworth explained the work of Animal Logic on GUARDIANS OF THE GALAXY VOL. 2. He then worked on ALIEN: COVENANT.

Irishman VFX will Hopefully Be The Best -De Niro

April 5, 2019, 06:21 AM

https://www.slashfilm.com/the-irishman-vfx/

We still haven’t seen any footage of Martin Scorsese‘s The Irishman, and there’s a good reason for that. Scorsese and company are working hard to make the film’s special effects perfect. The movie spans several decades, and rather than cast different actors to play the cast of characters throughout time, Scorsese instead employed the type of de-aging tech Marvel uses. Robert De Niro, who reunites with Scorsese to star in the film, offered some insight into the process.

Discover "We Are The Makers!"

April 4, 2019, 09:07 AM

https://www.artofvfx.com/come-discover-we-are-the-...

We are really proud and happy to present to you our little brother, We Are The Makers!

The Groundbreaking VFX of Game of Thrones

April 3, 2019, 01:55 PM

https://nofilmschool.com/game-of-thrones-vfx-break...

At the beginning of the Game of Thrones saga, the VFX was minimal. things were shot on sets, effects were practical, and there wasn't even that much CGI, but the deeper we got into the series the more the show relies on their VFX artists to contribute. It was once 600-800 shots a season has become the same amount per episode.

Acclaimed VFX Supervisor Lindy De Quattro Joins MP

April 3, 2019, 06:08 AM

https://www.awn.com/news/acclaimed-vfx-supervisor-...

Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.

The Umbrella Academy VFX Supervisor

April 2, 2019, 09:17 AM

https://www.artofvfx.com/the-umbrella-academy-ever...

Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN’S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.

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