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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

I still can’t remember what actual color Cerulean really is

September 2, 2021, 08:46 AM

https://www.provideocoalition.com/i-still-cant-rem...

After all these years of using Adobe Premiere Pro I still can’t remember what exact color Cerulean is when I go to change a label on some Premiere Pro clips in a bin. And to be quite honest I sometimes might color something Violet or Caribbean and think to myself… ‘that wasn’t the color I wanted.’ And I have been using Premiere [...]Read More...

Why No Time to Die and others are still using film in a digital world

August 31, 2021, 08:56 AM

https://www.redsharknews.com/why-no-time-to-die-an...

On September 30th, after many delays, No Time to Die will hit UK cinemas. The 25th James Bond movie was shot on celluloid, making it part of a small group of productions that choose to keep using the traditional medium despite digital becoming the dominant acquisition format in 2013.

The origins of colour grading

August 31, 2021, 08:51 AM

https://www.redsharknews.com/the-origins-of-gradin...

Reply: Since most of us are isolated at home at the moment (at the time of original publication during the time of the Zombie Apocalypse) you might be considering some serious grading or re-grading of stuff from the deepest recesses of your hard drives. You might even be embarking on an online grading course. In the light of this, I thought it might be worth looking a little at the history of grading. Today, we take for granted the seemingly endless ways we can manipulate an image in post prod...

Colour accuracy: Humans simply aren't very good at it

August 23, 2021, 09:19 AM

https://www.redsharknews.com/production/item/6212-...

Replay: The biggest limitation of colour accuracy is the human brain. Phil Rhodes takes a look at why colour accuracy sometimes isn't all it's cracked up to be.

Artists Master Series Color Light

August 17, 2021, 09:16 AM

https://3dtotal.com/news/3dtotal/artists-master-se...

Elevate your art skills to a specialist standard with definitive knowledge, tutorials, and inspiration from talented art masters around the world.

Creating an ACES Workflow for Realistic Lighting with 3D

August 17, 2021, 09:16 AM

https://www.premiumbeat.com/blog/aces-workflow-for...

Learn how to improve your 3D renders by using ACES to build a linear workflow. (Also, an explainer: What exactly is ACES?)

Easy Resolve Grading with 6 Nodes

August 6, 2021, 09:03 AM

https://digitalfilms.wordpress.com/2021/08/05/easy...

Spend any time watching Resolve tutorials and you’ll see many different ways in which colorists approach the creation of the same looks. Some create a look with just a few simple nodes. Others build a seemingly convoluted node tree designed to achieve the same goal. Neither approach is right or wrong. Often what can all […]

Application Color Management

August 2, 2021, 10:49 AM

https://digitalfilms.wordpress.com/2021/08/01/appl...

I’m previously written about the challenge of consistent gamma and saturation across multiple monitoring points. Getting an app’s viewer, QuickTime playback, and the SDI output to all look the same can be a fool’s errand. If you work on a Mac, then there are pros and cons to using Mac displays like an iMac. In […]

Colorist Chat: FotoKem Colorist Alastor Arnold on The Green Knight, More

July 29, 2021, 09:03 AM

https://postperspective.com/colorist-chat-fotokem-...

Alastor Arnold is a senior colorist at FotoKem, a privately owned post facility that offers digital and film capabilities, including a full-service film lab. They work on features and episodics, providing digital intermediates, dailies, color, audio, visual effects, and restoration of classic movies. Its family of companies includes Keep Me Posted, L.A. Continue reading → July 28, 2021 The post Colorist Chat: FotoKem Colorist Alastor Arnold on The Green Knight, More appeared first on po...

Color Grading and Career Advice with "Mad Max: Fury Road" Colorist Eric Whipp

July 23, 2021, 08:42 AM

http://manhattaneditworkshop.blogspot.com/2021/07/...

Colorist Eric Whipp joined Gordon Burkell to answer questions about Mad Max: Fury Road, Color Correction, and give career advice.  Eric talks about his workflow while working remotely, as well as the delicate balance of working with clients.  If you want to learn more directly from Eric on his processes, his insights and his vast amount of experiences; check out our online class with Eric here.Eric Whipp was born in Auckland, New Zealand, and raised in Australia.  He became a colorist in...

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