It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 31, 2017, 04:12 AM
https://greyscalegorilla.com/tutorials/3d-workflow...
NAB 2017 Rewind – Chad Ashley: 3D Workflow Techniques for Lazy People from Cineversity.
May 31, 2017, 04:12 AM
https://www.provideocoalition.com/review-shape-mon...
Plug-ins are a staple of life for After Effects users. For me, at least, I’m always super excited when a new effect (or bundle of effects) is/are released from a company, as it’s always cool to see what boundary these companies are trying to push next. With that being said, there is an exciting new trend, and new boundary being pushed, and those boundaries are from within the application itself, and I’m talking about After Effects scripts.
May 30, 2017, 09:48 AM
http://theangryvideoguy.com/index.php/2017/05/30/v...
Miopia VFX is a house based out of Madrid who has been providing Visual Effects since 1999. Miopia completed this rather cool spot for Ferrari Land.
#vfx breakdown#vfx breakdowns#miopiaMay 29, 2017, 09:12 AM
http://www.artofvfx.com/the-fate-of-the-furious-ph...
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.
May 29, 2017, 09:12 AM
http://www.3dvf.com/actualite-20284-siggraph-2017-...
On the occasion of the SIGGRAPH 2017, French researchers will present publications on the models of materials.
May 29, 2017, 09:12 AM
http://www.artofvfx.com/ghost-in-the-shell-vfx-bre...
Really cool VFX breakdown by Atomic Fiction about their work on GHOST IN THE SHELL...
May 29, 2017, 05:21 AM
http://www.artofvfx.com/bridget-jones-baby-vfx-bre...
Union VFX presents their work on BRIDGET JONES’ BABY...
May 27, 2017, 07:02 AM
http://www.artofvfx.com/marvels-agents-of-s-h-i-e-...
Check out this VFX breakdown by CoSA VFX about their work on the fourth season of Marvel’s AGENTS OF S.H.I.E.L.D...
May 26, 2017, 05:11 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Framestore once again voyaged into space to team up with Ridley Scott on the highly anticipated science-fiction horror film Alien: Covenant. The 20th Century Fox film features 295 shots containing futuristic VFX work by the Framestore team. Their work included the build of the Covenant ship, its environment, as well as tackling the cult horror creatures the Facehugger and the Chestburster.
May 25, 2017, 02:58 PM
http://www.artofvfx.com/guardians-of-the-galaxy-vo...
In October 2016, Jelmer Boskma told us about the work of Scanline VFX on MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN. He speaks to us today about his return to the Marvel universe.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.