It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 29, 2021, 09:03 AM
https://postperspective.com/colorist-chat-fotokem-...
Alastor Arnold is a senior colorist at FotoKem, a privately owned post facility that offers digital and film capabilities, including a full-service film lab. They work on features and episodics, providing digital intermediates, dailies, color, audio, visual effects, and restoration of classic movies. Its family of companies includes Keep Me Posted, L.A. Continue reading → July 28, 2021 The post Colorist Chat: FotoKem Colorist Alastor Arnold on The Green Knight, More appeared first on po...
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https://variety.com/2021/artisans/news/nine-days-w...
Mayabot, the virtual host of the new introductory tutorial in Maya 2022.1, the feature list for which has just been announced. The Mayabot rig is included free with Autodesk’s 3D modelling and animation software.
July 29, 2021, 09:01 AM
https://www.artofvfx.com/infinite-pete-bebb-overal...
Earlier this year, Pete Bebb explained the work of DNEG on Greyhound. He’s back to talk about the crazy action sequences on the Paramount movie, Infinite...
July 28, 2021, 09:23 AM
https://www.premiumbeat.com/blog/stabilize-footage...
Here’s everything you need to know about post-production stabilization in DaVinci Resolve. There are two main ways to apply a stabilization effect to your footage with DaVinci …
July 28, 2021, 09:23 AM
https://www.provideocoalition.com/mo-sys-using-vir...
When creative production agency Papertown imagined an ambitious virtual production project featuring a passenger plane in a hangar, they asked Mo-Sys if they could help merge CGI and real world together. Mo-Sys recently launched its new Onset VP Services office based in Los Angeles to provide an out-sourced solution for production companies new to virtual production. One of [...]Read More...
July 28, 2021, 09:22 AM
https://lesterbanks.com/2021/07/getting-started-wi...
Reza Sarkamari shows how you can get started with the OptiX Denoise in Maya using Arnold. Arnold has two flavors of denoising tools, and both of those you can use as Imagers, a post-rendering effect.
July 28, 2021, 09:22 AM
https://lesterbanks.com/2021/07/a-look-at-insidium...
Insidium shows how you can use TerraformFX in C4D to create procedural landscapes. This new video from the folks over at Insidium, shows off some of the features and workflows for TerraformFX, a new procedural landscape
July 28, 2021, 09:22 AM
https://postperspective.com/james-parnell-talks-mi...
By Randi Altman Monkeyland Audio supervising sound editor and re-recording mixer James Parnell has been working on a variety of high-profile TV and film projects, including the Oscar-winning film Moonlight, Hulu’s PEN15 and the recent Tribeca film Lorelei. He was recently nominated for a Daytime Emmy, Continue reading → July 27, 2021 The post James Parnell Talks Mixing Season 2 of Netflix’s Trinkets appeared first on postPerspective.
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https://filmschoolrejects.com/miami-vice-digital-m...
Miami Vice (2006) is a distinctly digital endeavor, but its cinematography isn't the only thing informed by its technology.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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