It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 28, 2018, 04:24 AM
https://vfxblog.com/viewpaint/
Most people will have heard about the Industrial Light & Magic animation test that convinced Steven Spielberg to adopt computer graphics for the full-motion dinosaurs in Jurassic Park. It was a seminal moment in visual effects history. But along the way, ILM made several other stunning tech breakthroughs for the 1993 film.
May 27, 2018, 04:34 PM
https://vfxblog.com/2018/05/27/james-cameron-3d-av...
I was lucky enough to score a ticket last night to see James Cameron speak in Sydney. It was at a Vivid event, a festival here famous for lighting up city landmarks and for presentations on culture, new ideas and art and technology.
May 27, 2018, 09:29 AM
https://vfxserbia.com/2018/05/27/andrewbrassington...
Following the CGA2017 and in preparation for the CGA2018, Crater Training Center was hosting the two days CGA Warm-up event on 11th and 12th of May with 9 presenters and 14 talks in Belgrade and Novi Sad, including the screening of a SF movie Ederlezi Rising
May 23, 2018, 04:22 AM
http://www.artofvfx.com/black-panther-vfx-breakdow...
The Norvegian studio Storm Studios presents their work on the beautiful prologue of BLACK PANTHER...
May 22, 2018, 06:19 AM
http://www.artofvfx.com/scandal-vfx-breakdown-by-v...
Come see how VFX Legion recreated Washington and the White House for SCANDAL...
May 22, 2018, 06:18 AM
http://www.cgw.com/Press-Center/News/2018/VFX-Legi...
LOS ANGELES — The recent airing of the series finale of Scandal on ABC capped off VFX Legion’s three-year run as the sole visual effect company for award-winning creator/producer/writer/director Shonda Rhimes’ political thriller. The Burbank studio has been the driving force behind the hundreds of computer-generated effects that the show’s viewers didn’t see each week. Currently a streaming favorite on Netflix, Legion’s team takes great pride in the fact that the photorealistic digit...
May 21, 2018, 09:16 AM
http://www.artofvfx.com/deadpool-2-dan-glass-overa...
Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.
May 21, 2018, 05:11 AM
http://www.animationmagazine.net/events/siggraph-2...
World-leading computer graphics and interactive showcase SIGGRAPH 2018 will present a special Art Gallery, entitled “Origins,” and historic Art Papers at the 45th edition in Vancouver, BC (Aug. 12-16). The programs will also honor the generations of creators that have come before through a special, 50th anniversary edition of the Leonardo journal.
May 16, 2018, 05:58 AM
http://www.studiodaily.com/2018/05/black-panther-v...
Method Studios VFX Supervisor Daryl Sawchuk, who was credited as animation supervisor on Black Panther, walks through breakdowns of Black Panther and Killmonger’s digital super-suits — and, yes, those animated rhinos! — in this video created by Wired. The post How Black Panther’s Visual Effects Were Made appeared first on Studio Daily.
May 14, 2018, 04:55 PM
http://www.artofvfx.com/avengers-infinity-war-paul...
Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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